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Question 6
VRAAG 6: GROUNDSWELL DEUR IAN BRUCE Bestudeer BRON G hieronder en beantwoord die vrae wat volg. BRON G GROUNDSWELL - 'N RESENSIE DEUR JIM HERBERT twitter.com Afgu... show full transcript
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Answer
Die titel 'Groundswell' verwys na die gevaarlike golfstuwings/-deinings in 'n rowwe see. Dit simboliseer die opbou van intensiewe emosionele spanning en die onbenullige ondergang van die karakters in die storie. Die woord impliseer 'n gevoel van dreigende verandering en onheil, wat die karakter se interne konflik reflekteer.
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Step 3
Answer
Die karakters word gekonfronteer met hul verlede in die vorm van onverwerkte trauma en foute. Smith, byvoorbeeld, worstel met skuldgevoelens oor sy nie-optrede tydens 'n tragedie in die verlede. Johan se desperate pogings om 'n nuwe lewe te bied, illustreer sy vrees om die gevolge van sy verbygaande keuses in die gesig te staar. Thami se ontnugtering oor sy omstandighede lei tot verdere interne stryd, wat almal oor die mees kritiese oomblike mekaar se menslikheid aan die orde stel.
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Answer
Een dramatiese oomblik kom voor wanneer Smith die waarheid oor sy verlede aan die ander karakters openbaar. Hierdie onthulling skep 'n gevoel van intense spanning en konflik tussen die karakters, met elkeen wat sy eie demone moet konfronteer. Die ontnugtering van Johan en Thami se reaksies op Smith se waarheid lei tot 'n onvermydelike uitbarsting, wat die emosionele hoogtepunt van die toneelstuk simboliseer.
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Arena-styl teater, of 'Theatre-in-the-round', impliseer dat die verhoog volledig omring word deur die gehoor. Dit skep 'n intieme atmosfeer wat 'n gevoel van deelname en onmiddellike betrokkenheid bevorder. Die akteurs moet ook die uitdaging hanteer om multidimensioneel te speel omdat hulle aan alle kante beskuif word. Dit berei die verhoog voor vir 'n dinamiese interaksie tussen karakter en gehoor.
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Die keuse van 'n arena-styl verhoog is uiters effektief om die intense en intieme dinamika tussen die karakters uit te lig. Dit maak ruimte vir onmiddellike aksie en reaksie, wat die spanning en die wrywing tussen hulle bevorder. Die opset van die verhoog beklemtoon die isolasie van die karakters deur hulle in 'n beperkte ruimte te plaas, wat die verhoogde gevoel van druk en konfrontasie tot gevolg het.
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1960 - 1994 theatre and text
Dramatic Arts - English General
Absurd Theatre, Epic Theatre, Postmodernism
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Acting and reacting in individual and group work
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Acting in scripted and unscripted work
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Basic acting tools
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Basic design elements
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Contemporary South African theatre
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Design integration & final performance
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Hybrid nature of South African theatre
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Improvisation and ensemble play
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Improvisation and workshopping skills
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Improvisation for performance
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Integrated performance of three contrasting pieces
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Interpretation of texts
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Origins of theatre in ritual
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Overview of twentieth-century movements
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Physical exploration and non-verbal communication skills
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Physical storytelling
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Post-1994 theatre and text
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Presentational and Representational theatre
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Principles and elements of drama
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Realist theatre and text
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South African oral performance forms
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South African theatre texts
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South African theatre traditions
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South African workshop theatre
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Staging and/or film conventions
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Techniques for Poor Theatre
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The production process & marketing
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The role of the audience
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The role of the designer in stage and/or film
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The role of the director in stage and/or film
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The role of the playwright: Study of texts in context
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Theatre with a specific agenda
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Twentieth-century theatre movements and beyond
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Vocal and physical integration for performance
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Vocal and physical interpretation of texts
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Vocal exploration and verbal communication skills
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