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Question 2
WOZA ALBERT! BY PERCY MTWA, MBONGENI NGEMA AND BARNEY SIMON Study SOURCE B and SOURCE C below and answer the questions that follow. SOURCE B: THE SET OF WOZA ALBER... show full transcript
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The satire is seen as funny because it mocks the incompetence of those in power, contrasting their serious responsibilities with the childishness of using a ping pong ball, which diminishes their authority and critiques the absurdity of the system.
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The almost bare set utilizes versatile props and staging techniques to transform its appearance. For example, the same props can represent various locations, and the use of actors' bodies can change the context dramatically. This allows for a fluid narrative that engages the audience's imagination.
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Woza Albert! remains relevant as it addresses themes of oppression and resilience, reflecting the historical context of apartheid. Its exploration of human rights issues and social justice resonates with contemporary audiences, making it a poignant study for Dramatic Arts.
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The play showcased innovation through its use of Poor Theatre techniques, integrating music and movement creatively to convey messages. The performers actively engaged the audience, utilizing minimal props effectively to represent complex themes in an impactful way.
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Woza Albert! portrays the truth about apartheid by exposing the everyday struggles of individuals under an oppressive regime. It illustrates the social injustices and personal ramifications of apartheid, emphasizing the resilience and spirit of the oppressed.
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Theatre served as a powerful medium for protest during apartheid, providing a platform for marginalized voices and addressing societal issues in a way that engaged the public. Woza Albert! continues to be relevant today as it echoes contemporary struggles for justice and human rights, reminding audiences of the enduring impact of apartheid's legacy.
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1960 - 1994 theatre and text
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Absurd Theatre, Epic Theatre, Postmodernism
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Acting and reacting in individual and group work
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Acting in scripted and unscripted work
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Basic acting tools
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Basic design elements
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Contemporary South African theatre
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Design integration & final performance
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Hybrid nature of South African theatre
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Improvisation and ensemble play
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Improvisation and workshopping skills
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Improvisation for performance
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Integrated performance of three contrasting pieces
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Interpretation of texts
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Origins of theatre in ritual
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Overview of twentieth-century movements
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Physical exploration and non-verbal communication skills
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Physical storytelling
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Post-1994 theatre and text
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Presentational and Representational theatre
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Principles and elements of drama
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Realist theatre and text
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South African oral performance forms
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South African theatre texts
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South African theatre traditions
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South African workshop theatre
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Staging and/or film conventions
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Techniques for Poor Theatre
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The production process & marketing
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The role of the audience
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The role of the designer in stage and/or film
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The role of the director in stage and/or film
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The role of the playwright: Study of texts in context
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Theatre with a specific agenda
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Twentieth-century theatre movements and beyond
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Vocal and physical integration for performance
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Vocal and physical interpretation of texts
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Vocal exploration and verbal communication skills
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