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'Golding shows us the evil that is within every individual.' How far do you agree with this view of Lord of the Flies? Write about: - some examples of evil in the novel - how Golding presents ideas about evil. - AQA - GCSE English Literature - Question 14 - 2022 - Paper 1

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Question 14

'Golding-shows-us-the-evil-that-is-within-every-individual.'-How-far-do-you-agree-with-this-view-of-Lord-of-the-Flies?--Write-about:----some-examples-of-evil-in-the-novel---how-Golding-presents-ideas-about-evil.-AQA-GCSE English Literature-Question 14-2022-Paper 1.png

'Golding shows us the evil that is within every individual.' How far do you agree with this view of Lord of the Flies? Write about: - some examples of evil in the ... show full transcript

Worked Solution & Example Answer:'Golding shows us the evil that is within every individual.' How far do you agree with this view of Lord of the Flies? Write about: - some examples of evil in the novel - how Golding presents ideas about evil. - AQA - GCSE English Literature - Question 14 - 2022 - Paper 1

Step 1

Some examples of evil in the novel

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Answer

In 'Lord of the Flies', various instances highlight the inherent evil within individuals. One prominent example is the character of Jack, who progressively embraces a savage nature. His willingness to hunt and kill animals, culminating in the murder of Simon, illustrates the darkness that emerges when societal structures dissipate.

Another clear example is Roger, whose sadistic actions, such as sharpening a stick to impale Piggy, demonstrate a disturbing inclination towards violence. The boys' descent into savagery underscores Golding's assertion that evil resides within everyone, waiting for the right circumstances to emerge.

Step 2

How Golding presents ideas about evil

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Golding employs a range of literary techniques to convey his perceptions of evil. The island itself transforms from a paradise to a hellish landscape, symbolizing the boys' inner turmoil. Characters such as Ralph and Piggy represent civilization and order, while Jack and his followers embody chaos and brutality.

Moreover, Golding’s use of dark imagery and language—especially during key scenes like Simon's death—emphasizes the loss of innocence. Philosophical discussions woven throughout the narrative, including concepts from Freud about the id, ego, and superego, further illuminate the conflict between inherent evil and moral order. Ultimately, Golding suggests that while society can suppress evil, it lurks within every individual, ready to surface.

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