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Look at lines 1–16: Analyse how the writer’s use of both stage directions and dialogue conveys the slab boys’ (Phil and Spanky’s) manipulation of Hector - Scottish Highers English - Question 1 - 2019

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Look at lines 1–16: Analyse how the writer’s use of both stage directions and dialogue conveys the slab boys’ (Phil and Spanky’s) manipulation of Hector. Hector: "... show full transcript

Worked Solution & Example Answer:Look at lines 1–16: Analyse how the writer’s use of both stage directions and dialogue conveys the slab boys’ (Phil and Spanky’s) manipulation of Hector - Scottish Highers English - Question 1 - 2019

Step 1

Look at lines 1–16: Analyse how the writer’s use of both stage directions and dialogue conveys the slab boys’ (Phil and Spanky’s) manipulation of Hector.

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Answer

To analyze how the writer conveys the slab boys’ manipulation of Hector through stage directions and dialogue, we can observe several key elements:

Stage Directions

  1. Use of Props: The interaction between Spanky and Hector is amplified through stage directions, such as Phil holding up the Parker pen. This action suggests a hidden agenda, as Phil is trying to keep Hector unaware of what is happening around him. The use of this pen not only illustrates the manipulation but also highlights Hector’s vulnerability.

  2. Physicality: The stage directions also indicate how characters are positioned relative to each other. For instance, when Phil threatens to snap the pen, it implies a sense of control and dominance over Hector, showcasing the hierarchical relationship amongst the characters.

Dialogue

  1. Casual Language: The phrase "s’ nice and easy on my throat" from Hector contrasts with the more aggressive remarks by Phil and Spanky, further emphasizing his role as the target of mockery.

  2. Mocking Tone: The banter between Phil and Spanky reflects their camaraderie while being disrespectful to Hector. For instance, when Spanky refers to Hector's shirt, it not only serves as a joke but also as a means of undermining Hector’s confidence, as seen in the line: "You’ll be asking… Lucille is going to flip."

In conclusion, through both stage directions and dialogue, the interaction among these characters effectively portrays the manipulation of Hector, emphasizing themes of control and camaraderie at his expense.

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