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The theme of fantasy vs. real life in 'A Streetcar Named Desire' is central to the conflict and character dynamics in the play. Blanche DuBois represents the world of fantasy, illusion, and delusion, while Stanley Kowalski represents brutal realism and the harsh truths of life. The tension between these two realms drives the narrative and ultimately leads to Blanche's downfall.
"I don't want realism. I want magic!" (Scene 9)
"A woman's charm is fifty percent illusion." (Scene 2)
"I can't stand a naked light bulb, any more than I can a rude remark or a vulgar action." (Scene 3)
"Whoever you are—I have always depended on the kindness of strangers." (Scene 11)
"It's only a paper moon, Just as phony as it can be—But it wouldn't be make-believe If you believed in me!" (Scene 7)
The theme of interior vs. exterior appearance in 'A Streetcar Named Desire' explores the contrast between how characters present themselves and their true natures. This theme is closely linked to the concepts of illusion and reality, and it underscores the characters' struggles with identity, perception, and deception.
"I can't stand a naked light bulb, any more than I can a rude remark or a vulgar action." (Scene 3)
"I don't tell the truth. I tell what ought to be the truth." (Scene 9)
"It's only a paper moon, Just as phony as it can be—But it wouldn't be make-believe If you believed in me!" (Scene 7)
"I don't want realism. I want magic!" (Scene 9)
"Whoever you are—I have always depended on the kindness of strangers." (Scene 11)
Sexual desire is a driving force in 'A Streetcar Named Desire,' influencing the actions and relationships of the characters. The play examines how sexual attraction can lead to both fulfilment and destruction, highlighting the complex interplay between desire, power, and identity.
"Since earliest manhood, the center of [Stanley's] life has been a pleasure with women, the giving and taking of it, not with weak indulgence, dependently, but with the power and pride of a richly feathered male bird among hens." (Scene 1)
"What you are talking about is brutal desire—just—Desire!—the name of that rattle-trap street-car that bangs through the Quarter." (Scene 4)
"There are things that happen between a man and a woman in the dark—that sort of make everything else seem—unimportant." (Scene 4)
"Tiger—tiger! Drop the bottle-top! Drop it! We've had this date with each other from the beginning!" (Scene 10)
"I don't want realism. I want magic!" (Scene 9)
Masculinity and physicality are central themes in 'A Streetcar Named Desire,' particularly embodied by the character of Stanley Kowalski. His raw, animalistic masculinity is a driving force in the play, affecting his relationships with other characters, especially Stella and Blanche. The play explores how Stanley's physicality and dominance influence the dynamics within the household, ultimately leading to Blanche's downfall.
"Since earliest manhood, the center of [Stanley's] life has been a pleasure with women, the giving and taking of it, not with weak indulgence, dependently, but with the power and pride of a richly feathered male bird among hens." (Scene 1)
"STELL-LAH!" (Scene 3)
"I can't stand a naked light bulb, any more than I can a rude remark or a vulgar action." (Scene 3)
"Tiger—tiger! Drop the bottle-top! Drop it! We've had this date with each other from the beginning!" (Scene 10)
"He acts like an animal, has an animal's habits! Eats like one, moves like one, talks like one!" (Scene 4)
Femininity and dependence are significant themes in 'A Streetcar Named Desire,' explored through the characters of Blanche and Stella. The play examines how these women navigate their identities and dependencies within a male-dominated society. Blanche's fragile femininity and dependence on illusions clash with Stella's more grounded but equally dependent relationship with Stanley.
"I have always depended on the kindness of strangers." (Scene 11)
"There are things that happen between a man and a woman in the dark—that sort of make everything else seem—unimportant." (Scene 4)
"Whoever you are—I have always depended on the kindness of strangers." (Scene 11)
"I don't want realism. I want magic!" (Scene 9)
_"_You're married to a madman!" (Scene 4)
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A Streetcar Named Desire by Tennessee Williams
Plot Summary
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Context & Writer’s Techniques
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Character Analysis
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Key Quotations
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