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Both Heart of Darkness and The Lonely Londoners explore themes of alienation and isolation, portraying characters who feel disconnected from their surroundings and the people around them.
"I had to keep myself from laughing in his face, so full of stupid importance. I was looking down at the edge of a black and incomprehensible frenzy."
"It have a kind of unrealness about London, and you feeling like you don't belong to it, like you outside."
Both novels address the themes of racism and prejudice, depicting how these societal issues impact the lives of the characters and shape their experiences.
"The conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it too much."
"It ain't have no time to be nice. But nobody bothering with you in London, nobody have the time."
Both novels explore the theme of internal darkness, examining the moral and psychological depths of their characters.
"The horror! The horror!"
"Everywhere that black people suffering, and they only welcome you in the country when they want you to work."
Both novels critique the exploitation inherent in colonial and post-colonial contexts, highlighting the impact on both the colonizers and the colonized.
"The horror! The horror!"
"But in the end, you get so self-sufficient you don't even want to associate with your own kind. You get so self-conscious that you withdraw yourself from everything."
Both novels explore the characters' search for identity amidst challenging and oppressive environments.
"We live in the flicker—may it last as long as the old earth keeps rolling! But darkness was here yesterday."
"But when you see a Trinidadian girl, or a Barbadian, or a Jamaican, is like you seeing a sister for the first time in years."
Both novels depict the inhumanity of man, illustrating how characters are dehumanized by their circumstances and actions.
"He cried in a whisper at some image, at some vision—he cried out twice, a cry that was no more than a breath: 'The horror! The horror!'"
"When he see the plight of the boys in the water, Galahad decide to stay where he is. He tell Moses how he seeing the boys, but he ain't helping nobody."
Both novels portray characters who display resilience and survival instincts in the face of adversity and oppression.
"I don't like work. I had rather laze about and think of all the fine things that can be done. I don't like work—no man does—but I like what is in the work—the chance to find yourself."
"Though the boys in London suffering and struggling and hustling, this city keep its own rhythm going, and it was a beat like no other."
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