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In 'Hamlet', women are portrayed through the characters of Ophelia and Gertrude, who both reflect the limited roles and expectations placed upon women in a patriarchal society. Their actions and fates are largely dictated by the men around them, and their struggles highlight the misogynistic views and treatment they endure.
"Frailty, thy name is woman!" (Act 1, Scene 2)
"Get thee to a nunnery: why wouldst thou be a breeder of sinners?" (Act 3, Scene 1)
Religion plays a crucial role in 'Hamlet', influencing the characters' actions and moral dilemmas. The conflict between religious doctrine and personal vengeance is a central theme, particularly in Hamlet's struggle to reconcile his duty to avenge his father with his fear of damnation.
"To be or not to be: that is the question: / Whether 'tis nobler in the mind to suffer / The slings and arrows of outrageous fortune, / Or to take arms against a sea of troubles / And by opposing end them." (Act 3, Scene 1)
"Now might I do it pat, now he is praying; / And now I'll do't: and so he goes to heaven; / And so am I revenged. That would be scann'd: / A villain kills my father; and for that, / I, his sole son, do this same villain send / To heaven." (Act 3, Scene 3)
The theme of action and inaction is central to 'Hamlet'. Hamlet's indecision and hesitation to act on his father's murder lead to his tragic downfall. The play examines the moral and philosophical implications of taking action versus remaining passive.
"To be or not to be: that is the question:" (Act 3, Scene 1)
"How all occasions do inform against me, / And spur my dull revenge!" (Act 4, Scene 4)
Corruption is a pervasive theme in 'Hamlet', symbolized by the moral decay of the Danish court. The play explores how corruption spreads through political intrigue, deceit, and moral disintegration, ultimately leading to the downfall of the royal family.
"Something is rotten in the state of Denmark." (Act 1, Scene 4)
"O, my offence is rank, it smells to heaven;" (Act 3, Scene 3)
Madness is a central theme in 'Hamlet', explored through the protagonist's feigned insanity and Ophelia's genuine descent into madness. The play examines the fine line between sanity and insanity, the impact of madness on individuals and those around them, and the use of madness as a tool for manipulation and disguise.
"To put an antic disposition on—" (Act 1, Scene 5)
"O, what a noble mind is here o'erthrown! / The courtier's, soldier's, scholar's, eye, tongue, sword; / The expectancy and rose of the fair state, / The glass of fashion and the mold of form, / The observed of all observers, quite, quite down!" (Act 3, Scene 1)
"There's rosemary, that's for remembrance; pray, love, remember: and there is pansies, that's for thoughts." (Act 4, Scene 5)
"I am but mad north-north-west: when the wind is southerly I know a hawk from a handsaw." (Act 2, Scene 2)
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