A Minor Role by U A Fanthorpe

Analysis of the Title

The title "A Minor Role" signifies the speaker's sense of playing an insignificant part in the larger drama of life. This minor role could refer to both literal and metaphorical roles, highlighting the speaker's perceived lack of importance and their struggles with illness or caregiving responsibilities.

Structure and Form

Form, Meter, and Rhyme

• The poem is written in free verse, consisting of six stanzas of varying lengths.
• There is no consistent rhyme scheme or meter, reflecting the conversational and fragmented nature of the speaker's thoughts.
• The lack of formal structure emphasizes the chaotic and unpredictable aspects of dealing with illness or caregiving.

Speaker

• The speaker is an individual who feels marginalized and insignificant, possibly due to dealing with illness or caring for someone who is ill.
• The speaker's tone shifts from self-deprecating humour to introspection and determination, illustrating their complex emotional state.

Setting

• The poem's settings include a stage, hospitals, waiting rooms, streets, and the speaker's home.
• These varied settings reflect the different aspects of the speaker's life and their attempts to maintain normalcy amidst their struggles.

Poetic Devices

Extended Metaphor

• The poem uses an extended metaphor of the speaker as an actor in a minor role on a stage to illustrate their feelings of insignificance and the mundane tasks they perform.

Imagery

• Vivid imagery is used to describe the speaker's mundane activities, creating a sense of the repetitive and often unnoticed nature of their efforts.

Juxtaposition

• The poem juxtaposes the speaker's public facade with their private struggles, highlighting the disconnect between outward appearances and inner realities.
• The shift from the stage to the waiting rooms and home emphasizes this contrast.

Asyndeton

• Asyndeton is used to convey the overwhelming and continuous nature of the speaker's tasks.
• For example, "driving to hospitals, / Parking at hospitals. Holding hands under / Veteran magazines; making sense / Of consultants' monologues," lists activities without conjunctions, creating a sense of relentless duty.

Rhetorical Question

• The rhetorical question "And who would want it?" emphasizes the speaker's reluctance to take on a more prominent role and highlights the burdens associated with their current situation.

Key Themes

The Mundanity and Isolation of Illness

• The poem explores the tedious and isolating aspects of dealing with illness, whether personal or caregiving.
• The speaker describes mundane activities like driving to hospitals and holding hands under magazines, emphasizing the routine and often lonely nature of these tasks.

Line by Line Analysis

Lines 1-6

I'm best observed on stage,

Propping a spear, or making endless

Exits and entrances with my servant's

patter, Yes, sir. O no, sir. If I get

These midget moments wrong, the monstrous fabric

Shrinks to unwanted sniggers.

"I'm best observed on stage,"

• The speaker begins by placing themselves in a theatrical context, emphasizing their role as a minor character.
• This metaphor sets the tone for the poem, highlighting feelings of insignificance.

"Propping a spear, or making endless / Exits and entrances with my servant's / patter,"

• The imagery of propping a spear and making entrances and exits suggests the repetitive and unimportant actions of a minor role.
• The "servant's patter" indicates trivial and scripted lines, reinforcing the speaker's sense of insignificance.

"Yes, sir. O no, sir. If I get / These midget moments wrong, the monstrous fabric / Shrinks to unwanted sniggers."

• The use of formal, subservient language highlights the speaker's minor role.
• The phrase "midget moments" emphasizes the smallness of their actions, while the potential for "unwanted sniggers" underscores the pressure to perform even these minor tasks correctly.

Lines 7-8

But my heart's in the unobtrusive,

The waiting-room roles: driving to hospitals,

"But my heart's in the unobtrusive,"

• The speaker reveals their preference for inconspicuous, supportive roles.
• This line contrasts with the theatrical imagery, shifting the focus to everyday life.

"The waiting-room roles: driving to hospitals,"

• The "waiting-room roles" symbolize the mundane and supportive tasks associated with illness.
• Driving to hospitals highlights the routine and often overlooked nature of caregiving.

Lines 9-14

Parking at hospitals. Holding hands under

Veteran magazines; making sense

Of consultants' monologues; asking pointed

Questions politely; checking dosages,

Dates; getting on terms with receptionists;

Sustaining the background music of civility.

"Parking at hospitals. Holding hands under / Veteran magazines;"

• The repetition of hospital-related activities emphasizes the speaker's routine and supportive role.
• "Veteran magazines" suggests the well-worn nature of these waiting room experiences.

"making sense / Of consultants' monologues;"

• The speaker tries to understand complex medical information, indicating the challenges of their role.
• The term "monologues" ties back to the theatrical metaphor, emphasizing the one-sided nature of these interactions.

"asking pointed / Questions politely; checking dosages, / Dates; getting on terms with receptionists;"

• The speaker lists their tasks, highlighting their thoroughness and attention to detail.
• These actions are essential yet often unacknowledged, reinforcing the theme of unnoticed labour.

"Sustaining the background music of civility."

• This metaphor suggests the speaker's efforts to maintain a sense of normalcy and politeness despite the stress of illness.
• The phrase underscores the theme of maintaining appearances.

Lines 15-18

At home in the street you may see me

Walking fast in case anyone stops:

getting on, getting better my formula

For well-meant intrusiveness.

"At home in the street you may see me / Walking fast in case anyone stops:"

• The speaker describes their efforts to avoid unwanted attention, highlighting their desire for privacy.
• The phrase "Walking fast" indicates a sense of urgency and discomfort.

"getting on, getting better my formula / For well-meant intrusiveness."

• The speaker's rehearsed response to inquiries about their well-being underscores their reluctance to share personal struggles.
• The term "well-meant intrusiveness" reflects the tension between politeness and the desire for privacy.

Lines 19-22

At home,

Thinking ahead: Bed? A good idea!

(Bed solves a lot); answer the phone,

Be wary what I say to it, but grateful always;

"At home, / Thinking ahead: Bed? A good idea!"

• The speaker's thoughts shift to the comforts of home, seeking solace in rest.
• The rhetorical question and exclamation convey a moment of respite.

"(Bed solves a lot); answer the phone,"

• The parenthetical comment adds a touch of humour and realism.
• Answering the phone cautiously reflects the speaker's concern about communication.

"Be wary what I say to it, but grateful always;"

• The speaker is careful with their words, balancing honesty with politeness.
• This line highlights the social expectations placed on the speaker.

Lines 23-26

Contrive meals for hunger-striker; track down

Whimsical soft-centred happy-all-the-way-through novels;

Find the cat (mysteriously reassuring);

Cancel things; pretend all's well,

"Contrive meals for hunger-striker; track down / Whimsical soft-centred happy-all-the-way-through novels;"

• The speaker's efforts to provide comfort and distraction reflect their caregiving role.
• The whimsical novels symbolize the search for lighthearted escapism.

"Find the cat (mysteriously reassuring);"

• The cat provides a sense of comfort and normalcy amidst the chaos.
• This action highlights the small but significant sources of reassurance.

"Cancel things; pretend all's well,"

• The speaker cancels plans and maintains a facade of normalcy.
• This line underscores the theme of appearances versus reality.

Lines 27-28

Admit it's not. Learn to conjugate all the genres of misery:

Tears, torpor, boredom lassitude, yearnings

"Admit it's not. Learn to conjugate all the genres of misery:"

• The speaker acknowledges the reality of their struggles.
• The phrase "conjugate all the genres of misery" suggests the complexity and variety of their suffering.

"Tears, torpor, boredom, lassitude, yearnings"

• This list of emotions captures the depth and range of the speaker's feelings.
• The use of asyndeton emphasizes the overwhelming nature of these emotions.

Lines 29-33

For a simpler illness, like a broken leg.

Enduring ceremonial delays. Being referred

Somewhere else. Consultant's holiday. Saying Thank you,

For anything to everyone

Not the star part.

"For a simpler illness, like a broken leg."

• The speaker wishes for a more straightforward and less emotionally taxing illness.
• This line highlights the speaker's frustration with the complexity of their situation.

"Enduring ceremonial delays. Being referred / Somewhere else. Consultant's holiday."

• The speaker describes the bureaucratic and often frustrating aspects of dealing with illness.
• The repetition of delays and referrals emphasizes the inefficiency and helplessness experienced.

"Saying Thank you, / For anything to everyone / Not the star part."

• The speaker maintains politeness and gratitude despite their struggles.
• This final phrase underscores the speaker's acceptance of their minor role and the value of their quiet resilience.

Lines 34-39

And who would want it? I jettison the spear,

The servant's try, the terrible drone of Chorus:

Yet to my thinking this act was ill advised

It would have been better to die. No it wouldn't!*

I am here to make you believe in life.

Chorus: from Oedipus Rex, trans. EF Watling

"And who would want it? I jettison the spear,"

• The speaker rejects the idea of playing a more significant role, emphasizing their contentment with their current position.
• The act of jettisoning the spear symbolizes a rejection of burdensome responsibilities.

"The servant's try, the terrible drone of Chorus:"

• The speaker dismisses the role of the servant and the oppressive commentary of the chorus.
• This line reinforces the theatrical metaphor.

"Yet to my thinking this act was ill advised / It would have been better to die. No it wouldn't!"*

• The speaker contemplates the dramatic advice from the chorus in Oedipus Rex but rejects it, asserting their will to live.
• This line highlights the speaker's resilience and determination.

"I am here to make you believe in life."

• The poem concludes with a powerful affirmation of life's value.
• The speaker's ultimate message is one of hope and perseverance, despite their minor role.