From the Journal of a Disappointed Man by Andrew Motion

Analysis of the Title

The title "From the Journal of a Disappointed Man" suggests a personal and introspective narrative. The word "journal" implies a private reflection, while "disappointed" sets the tone of unfulfilled expectations and disillusionment. The speaker's sense of disappointment frames the poem, hinting at a deeper exploration of unmet aspirations or observations of failure.

Structure and Form

Form, Meter, and Rhyme

• The poem is composed of eleven quatrains (four-line stanzas).
• It follows a free verse structure, with no consistent rhyme scheme or meter.
• The lack of formal structure mirrors the chaotic and unresolved nature of the events described, reinforcing the themes of frustration and disappointment.

Speaker

• The speaker is an unnamed first-person narrator who observes and reflects on the actions of a group of workmen.
• The tone is contemplative and somewhat detached, with a hint of condescension and awareness of the speaker's limitations and disappointments.

Setting

• The setting is a construction site by a pier, where a group of men is attempting to drive a wooden pile into the ground.
• The physical environment, with its industrial equipment and waterfront location, serves as a backdrop for the unfolding drama and the speaker's reflections.

Poetic Devices

Imagery

• The poem is rich in visual imagery, detailing the industrial scene and the workmen's actions: "chains, pulleys, cranes, ropes".
• The descriptive language creates a vivid picture of the setting and the monotonous, laborious work being undertaken.

Alliteration

• Alliteration is used to emphasize the heavy, rhythmic nature of the work: "driving a new pile," "massive affair". This technique helps to convey the intensity of the labour.

Enjambment

• Enjambment is employed frequently, creating a sense of continuity and flow, mirroring the ongoing struggle of the workmen and the speaker's uninterrupted observations.

Repetition

• The repetition of words and phrases such as "massive" and "men" underscores the speaker's focus on the physical presence and stoicism of the workmen, as well as his preoccupation with their actions.

Juxtaposition

• The poem juxtaposes the silent, powerful workmen with the reflective, somewhat passive speaker. This contrast highlights different approaches to handling disappointment.

Key Themes

Disappointment and Failure

• The poem explores the theme of disappointment through the workmen's tasks and ability to complete tasks and the speaker's sense of disillusionment:

_"I discovered these men driving a new pile into the pier."_

• The recurring failure to solve the problem reflects the broader human experience of frustration and unfulfilled efforts.

Labour and Social Class

• The poem delves into the social dynamics between the intelligent labourer speaker and the manual labourers, highlighting class differences and shared struggles:

"very powerful men; very ruminative and silent men ignoring me."

Masculinity and Social Expectations

• The poem examines traditional notions of masculinity through the depiction of strong, silent men and the behaviours reflections on their behaviour:

"Every one of the monsters was silent on the subject."

Line by Line Analysis

Lines 1-5

I discovered these men driving a new pile into the pier.

There was all the paraphernalia

of chains, pulleys, cranes, ropes and, as I said,

a wooden pile, a massive affair, swinging

over the water on a long wire hawser.

"I discovered these men driving a new pile into the pier."

• The speaker begins with a sense of discovery, indicating a passive observation of the workmen.
• The action of "driving a new pile into the pier" sets the scene at a construction site.

"There was all the paraphernalia"

• The term "paraphernalia" suggests an abundance of tools and equipment, emphasizing the complexity of the task.

"of chains, pulleys, cranes, ropes and, as I said,"

• The detailed listing of equipment conveys the industrial nature of the scene.

"a wooden pile, a massive affair, swinging"

• The "wooden pile" is described as "massive", highlighting its importance and the physical effort required.
• The use of "swinging" suggests instability and a lack of progress.

"over the water on a long wire hawser."

• The imagery of the pile "swinging" over water on a wire adds a sense of precariousness and tension.

Lines 6-11

Everything else was in the massive style

as well, even the men; very powerful men;

very ruminative and silent men ignoring me.

Speech was not something to interest them,

and if they talked at all it was like this –

"Let go", or "Hold tight": all monosyllables.

"Everything else was in the massive style"

• The repetition of "massive" reinforces the scale and physicality of the work.

"as well, even the men; very powerful men;"

• The description of the men as "very powerful" emphasizes their physical strength.

"very ruminative and silent men ignoring me."

• The men are also described as "ruminative and silent", suggesting a contemplative nature and a focus on their task.

"Speech was not something to interest them,"

• The men's disinterest in speech highlights their focus on physical labour over communication.

"and if they talked at all it was like this –"

• Their limited communication is noted, preparing for the introduction of their monosyllabic dialogue.

"Let go", or "Hold tight": all monosyllables.

• The monosyllabic commands emphasize the simplicity and directness of their communication.

Lines 12-16

Nevertheless, by paying close attention

to the obscure movements of one working

on a ladder by the water's edge, I could tell

that for all their strength and experience

these men were up against a great difficulty.

"Nevertheless, by paying close attention"

• The speaker shifts to a more detailed observation, indicating his effort to understand the situation.

"to the obscure movements of one working"

• The use of "obscure" suggests that the worker's actions are difficult to interpret or understand.

"on a ladder by the water's edge, I could tell"

• The precarious position "on a ladder by the water's edge" adds to the sense of difficulty and risk.

"that for all their strength and experience"

• Despite their physical power and expertise, the men face significant challenges.

"these men were up against a great difficulty."

• The "great difficulty" remains undefined, adding to the poem's sense of mystery and frustration.

Lines 17-20

I cannot say what. Every one of the monsters

was silent on the subject – baffled I thought

at first, but then I realised indifferent

and tired of the whole business.

"I cannot say what. Every one of the monsters"

• The speaker admits his inability to understand the specific problem, calling the men "monsters" in a somewhat dehumanizing manner.

"was silent on the subject – baffled I thought"

• Initially, the speaker interprets their silence as confusion.

"at first, but then I realised indifferent"

• He later perceives their silence as indifference rather than confusion.

"and tired of the whole business."

• The men's fatigue and lack of interest suggest a deeper sense of disillusionment or resignation.

Lines 21-24

The man nearest to me, still saying nothing

but crossing his strong arms over his chest,

showed me that for all he cared the pile

could go on swinging until the crack of Doom.

"The man nearest to me, still saying nothing"

• The proximity of the silent worker highlights the speaker's sense of isolation.

"but crossing his strong arms over his chest,"

• The man's body language conveys a sense of defiance or resignation.

"showed me that for all he cared the pile"

• The speaker interprets the man's indifference towards the task.

"could go on swinging until the crack of Doom."

• The hyperbolic "crack of Doom" emphasizes the worker's complete apathy towards the outcome.

Lines 25-28

I should say I watched them at least an hour

and, to do the men justice, their slow efforts

to overcome the secret problem did continue –

then gradually slackened and finally ceased.

"I should say I watched them at least an hour"

• The speaker's extended observation underscores his fascination and the slow passage of time.

"and, to do the men justice, their slow efforts"

• He acknowledges their continued efforts, despite the apparent futility.

"to overcome the secret problem did continue –"

• The "secret problem" remains unspecified, maintaining the poem's ambiguity.

"then gradually slackened and finally ceased."

• The men's efforts wane, leading to a complete cessation of activity.

Lines 29-32

One massive man after another abandoned

his position and leaned on the iron rail

to gaze down like a mystic into the water.

No one spoke; no one said what they saw;

"One massive man after another abandoned"

• The men's gradual abandonment of their posts highlights their collective resignation.

"his position and leaned on the iron rail"

• Leaning on the rail suggests a moment of contemplation or defeat.

"to gaze down like a mystic into the water."

• The comparison to a "mystic" adds a spiritual or reflective dimension to their gazes.

"No one spoke; no one said what they saw;"

• The continued silence emphasizes the shared, unspoken understanding of failure.

Lines 33-38

though one fellow did spit, and with round eyes

followed the trajectory of his brown bolus

(he had been chewing tobacco)

on its slow descent into the same depths.

The foreman, and the most original thinker,

smoked a cigarette to relieve the tension.

"though one fellow did spit, and with round eyes"

• The act of spitting and the focused observation of the spit's trajectory convey a sense of idleness and resignation.

"followed the trajectory of his brown bolus"

• The detailed description of the spit's path adds to the scene's mundanity.

"(he had been chewing tobacco)"

• This parenthetical detail provides context but also contributes to the imagery of the workers' roughness.

"on its slow descent into the same depths."

• The spit's descent metaphorically mirrors the men's sinking hopes.

"The foreman, and the most original thinker,"

• The foreman is distinguished by his role and perceived intellectual capacity.

"smoked a cigarette to relieve the tension."

• The act of smoking serves as a coping mechanism for the foreman.

Lines 39-44

Afterwards, and with a heavy kind of majesty,

he turned on his heels and walked away.

With this eclipse of interest, the incident

was suddenly closed. First in ones and twos,

then altogether, the men followed. That left

the pile still in mid-air, and me of course.

"Afterwards, and with a heavy kind of majesty,"

• The foreman's departure is described with a sense of gravitas.

"he turned on his heels and walked away."

• His decisive action marks the end of their efforts.

"With this eclipse of interest, the incident"

• The metaphorical "eclipse of interest" signifies the collective loss of motivation.

"was suddenly closed. First in ones and twos,"

• The men's gradual departure reinforces the sense of abandonment.

"then altogether, the men followed. That left"

• Eventually, all the men leave, symbolizing the complete failure of the task.

"the pile still in mid-air, and me of course."

• The final image of the pile and the speaker's lingering presence underscores the unresolved nature of the situation and the speaker's disappointment.