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Kathy H. is the protagonist and narrator of Kazuo Ishiguro's Never Let Me Go. As a student at Hailsham, Kathy is reflective, empathetic, and observant, qualities that persist throughout her life as a carer. Her narration provides a detailed account of her relationships with Ruth and Tommy, and her journey highlights the complexities of friendship, love, and the search for identity within the confines of her predetermined fate as a clone. Kathy's narrative voice, filled with nostalgia and longing, allows readers to deeply connect with her emotional experiences and the broader ethical implications of the story.
"I was thinking about back then, at Hailsham, when you used to go bonkers like that, and we couldn't understand it. We couldn't understand how you could ever get like that. . . . I was thinking maybe the reason you used to get like that was because at some level you always knew."
"Well . . . I really wanted to find it [the cassette tape] for you. And when it looked in the end like it wasn't going to turn up, I just said to myself, one day I'll go to Norfolk, and I'll find it there for her."
"I froze in shock. Then within a second or two, I began to feel a new kind of alarm, because I could see there was something strange about the situation. The door was almost half open . . . but Madame hadn't nearly come up to the threshold. She was out in the corridor, standing very still . . . . And the odd thing was she was crying."
"You were different. I remember. You were never embarrassed about your collection and you kept it. I wish now I'd done that too."
"The problem, as I see it, is that you've been told and not told. You've been told, but none of you really understand, and I dare say, some people are quite happy to leave it that way. But I'm not. If you're going to have decent lives, then you've got to know and know properly."
Ruth is one of Kathy's closest friends and a central figure in Kazuo Ishiguro's Never Let Me Go. She is charismatic, and manipulative, and often seeks control within her social circles. Ruth's complex relationship with Kathy and Tommy reveals her insecurities and desire for acceptance. Throughout the novel, Ruth's actions and eventual redemption highlight themes of forgiveness, the search for identity, and the human need for connection.
"Well, Kathy, what you have to realize is that Tommy doesn't see you like that. He really, really likes you, he thinks you're really great. But I know he doesn't see you like, you know, a proper girlfriend. Besides, you know how Tommy is. He can be fussy . . . . Tommy doesn't like girls who've been with . . . well, you know, with this person and that."
"We all know it. We're modeled from trash. Junkies, prostitutes, winos, tramps. Convicts, maybe, just so long as they aren't psychos. That's what we come from. We all know it, so why don't we say it?"
"You were different. I remember. You were never embarrassed about your collection and you kept it. I wish now I'd done that too."
"Come to think of it, I suppose you haven't been that slow making friends with at least some of the veterans."
"I'd like you to forgive me, but I don't expect you to. Anyway, that's not the half of it, not even a small bit of it, actually. The main thing is, I kept you and Tommy apart. That was the worst thing I did. . . . What I want is for you to put it right. Put right what I messed up for you."
Tommy is a key character in Kazuo Ishiguro's Never Let Me Go, known for his temperamental outbursts and artistic pursuits. His relationship with Kathy and Ruth forms the emotional core of the novel. Tommy is often seen as the more vulnerable and innocent character, struggling to understand the complexities of his existence and his emotions. His journey reflects themes of frustration, the search for truth, and the desire for acceptance and love.
Innocence and Vulnerability
Search for Truth
Art and Expression
"I was thinking about back then, at Hailsham, when you used to go bonkers like that, and we couldn't understand it. We couldn't understand how you could ever get like that. . . . I was thinking maybe the reason you used to get like that was because at some level you always knew."
"The problem, as I see it, is that you've been told and not told. You've been told, but none of you really understand, and I dare say, some people are quite happy to leave it that way. But I'm not. If you're going to have decent lives, then you've got to know and know properly."
"Maybe I did know, somewhere deep down. Something the rest of you didn't."
"It's just that sometimes, every now and again, I get these really strong feelings when I want to have sex. It doesn't happen so much now, but back then it happened a lot."
"Then there was that time when we went looking for that tape of yours. You know, the one with the woman."
Miss Lucy is one of the guardians at Hailsham and plays a pivotal role in revealing the truth to the students about their purpose. Unlike the other guardians, she is more direct and honest with the students, showing a deep sense of moral responsibility. Her character challenges the ethical boundaries of the society they live in, highlighting themes of truth, morality, and compassion.
"The problem, as I see it, is that you've been told and not told. You've been told, but none of you really understand, and I dare say, some people are quite happy to leave it that way. But I'm not. If you're going to have decent lives, then you've got to know and know properly."
"It's not good that I smoked. It wasn't good for me so I stopped it. But what you must understand is that for you, all of you, it's much, much worse to smoke than it ever was for me. You've been told about it. You're students. You're . . . special."
"She said we weren't being taught enough, something like that. She said we needed more than the stuff we were being taught. She said we weren't being taught enough about sex. . . . I didn't really get it. I don't really get it even now."
"She wasn't like a guardian at all. She wasn't even trying to make us behave or anything. She just wanted us to know something important."
"You've been told and not told, and it's best if you know the whole truth. . . . I'm going to talk to you about your futures. I'm going to explain to you, as best I can, what is really in store for you."
Miss Emily is the headmistress of Hailsham in Kazuo Ishiguro's "Never Let Me Go." She is portrayed as a stern and authoritative figure who deeply believes in the mission of Hailsham—to prove that clones are human and deserve dignity. Despite her strict demeanour, she is committed to the welfare of the students, although her actions are sometimes driven by a pragmatic acceptance of the harsh realities facing the clones.
"We took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all."
"Hailsham was the last place to consider this idea, and the Gallery was a part of that."
"I was determined to keep you all healthy and happy as long as possible."
"We gave you your childhoods... and now you're letting it go."
"You have to understand... we were able to do this only by keeping you in the shadows."
Madame, also known as Marie-Claude, is initially perceived as the head of Hailsham but is later revealed to be its co-founder alongside Miss Emily. She is a complex character who is deeply empathetic towards the clones yet maintains a palpable distance from them, reflecting her internal conflict about their existence and treatment.
"Poor creatures. What did we do to you? With all our schemes and plans?"
"That was why we collected your art. We selected the best of it and put on special exhibitions in the hope that people would see you for what you are."
"We took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all."
"You poor creatures. I wish I could help you. But now you are by yourselves."
"The world didn't want to be reminded how fragile its happiness was."
Chrissie is a character who did not attend Hailsham but becomes friends with Ruth, Kathy, and Tommy at the Cottages. She is curious about the lives of Hailsham students and is particularly interested in the rumour that Hailsham students can apply for deferrals if they are in love.
"We all know it. We're modelled from trash. Junkies, prostitutes, winos, tramps."
"They don't really want to hear from me and Rodney. They'd much rather listen to you lot."
"You know, Ruth, we might be coming here in a few years' time to visit you. Working in a nice office. I don't see how anyone could stop us visiting you then."
"But you know, Ruth, we might be coming here in a few years' time to visit you. Working in a nice office."
"It's just that, well, I think I've seen her. At least, I think I've seen someone who looks like her."
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