Ode to Psyche

Context

• Written in the spring of 1819, "Ode to Psyche" is considered the first of Keats' famous odes.
• Reflects Keats' deep engagement with Greek mythology and Romantic ideals.
• Psyche, the goddess of the soul, represents both beauty and love, key themes in Keats' poetry.
• The poem is an exploration of imagination, the power of the mind, and the creation of an ideal world within one's thoughts.
• Keats was influenced by the Romantic emphasis on individual emotion, nature, and the sublime.

Structure and Form

• Irregular ode with a varying stanza structure and rhyme scheme.
• The poem does not adhere to a single, fixed form, reflecting the fluid and imaginative content.
• Written in iambic pentameter, with variations to match the emotional and descriptive nuances.
• The structure reflects Keats' desire to create a unique and personal tribute to Psyche.

Key Themes

Imagination and Creativity

• "In some untrodden region of my mind"
• Reflects the Romantic ideal of the mind as a landscape of endless possibility.
• Keats envisions an inner world where he can worship Psyche.

Love and Beauty

• "The winged boy I knew; / But who wast thou, O happy, happy dove?"
• Highlights the theme of love through the imagery of Cupid and Psyche.
• Celebrates the beauty and divinity of Psyche, making her the focal point of his adoration.

Nature

• "By zephyrs, streams, and birds, and bees, / The moss-lain Dryads shall be lull'd to sleep;"
• Uses rich natural imagery to create a serene, idyllic environment.
• Reflects the Romantic fascination with nature as a source of inspiration and solace.

Transcendence and Spirituality

• "O brightest! though too late for antique vows"
• Suggests a longing to connect with the divine and the transcendent.
• Emphasizes the timeless and eternal aspects of Psyche, transcending historical worship.

Devotion and Worship

• "Yes, I will be thy priest, and build a fane / In some untrodden region of my mind"
• Expresses Keats' dedication to creating a personal, mental space for the worship of Psyche.
• Reflects the Romantic ideal of intense, personal devotion.

Similar Poems

• "Ode to a Nightingale": Shares themes of imagination, nature, and the transcendence of ordinary experience through art.
• "Ode on a Grecian Urn": Explores themes of beauty, art, and the timeless nature of the divine, similar to the worship of Psyche.
• "To Autumn": Celebrates nature and the beauty of the natural world, reflecting the idyllic imagery found in "Ode to Psyche".

Line by Line Analysis

Stanza 1

O Goddess! hear these tuneless numbers, wrung By sweet enforcement and remembrance dear, And pardon that thy secrets should be sung Even into thine own soft-conched ear: Surely I dreamt to-day, or did I see The winged Psyche with awaken'd eyes? I wander'd in a forest thoughtlessly, And, on the sudden, fainting with surprise, Saw two fair creatures, couched side by side In deepest grass, beneath the whisp'ring roof Of leaves and trembled blossoms, where there ran A brooklet, scarce espied:

"O Goddess! hear these tuneless numbers, wrung"

• Apostrophe addresses Psyche directly, setting a reverent tone.
• "Tuneless numbers" suggests poetry that is heartfelt but imperfect.
  • Keats doubting his creativity and writing is a common theme throughout his letters and poems, such as 'When I Have Fears'.
• "wrung" suggests his creativity is not flowing, but dried up.

"By sweet enforcement and remembrance dear,"

• Oxymoron of "sweet enforcement"
• Indicates the inspiration drawn from sweet memories and emotional compulsion.

"And pardon that thy secrets should be sung"

• Apologizes for revealing the secrets of Psyche, showing reverence.
• Reference to Greek religious practices.
  • In ancient Greek religion, certain deities, including Psyche, were associated with mystery cults, such as the Eleusinian Mysteries dedicated to Demeter and Persephone.
  • These cults involved secret rituals and esoteric knowledge that were revealed only to initiates.
• Keats suggests that his poem serves as a modern, poetic form of religious reverence, where the act of revealing Psyche's secrets through verse parallels the revelation of sacred mysteries in religious rites.

"Even into thine own soft-conched ear:"

• "Soft-conched ear" uses delicate imagery to describe Psyche's receptiveness.
• Use of an oxymoron pairing a conch shell, associated with the ocean's loud sounds, with "soft".
  • Portrays Psyche as possessing a unique blend of strength and gentleness.

"Surely I dreamt to-day, or did I see / The winged Psyche with awaken'd eyes?"

• Blurs the line between dream and reality, emphasizing the ethereal quality of Psyche.
• "Winged Psyche" refers to her as a divine, almost otherworldly figure.

"I wander'd in a forest thoughtlessly,"

• Reflects the Romantic ideal of wandering in nature as a form of introspection and discovery.

"And, on the sudden, fainting with surprise, / Saw two fair creatures, couched side by side"

• Describes the moment of encountering Psyche and Cupid, highlighting their beauty and intimacy.

"In deepest grass, beneath the whisp'ring roof / Of leaves and trembled blossoms, where there ran / A brooklet, scarce espied:"

• Uses vivid natural imagery to set a serene and secluded scene.

Stanza 2

Mid hush'd, cool-rooted flowers, fragrant-eyed, Blue, silver-white, and budded Tyrian, They lay calm-breathing, on the bedded grass; Their arms embraced, and their pinions too; Their lips touch'd not, but had not bade adieu, As if disjoined by soft-handed slumber, And ready still past kisses to outnumber At tender eye-dawn of aurorean love: The winged boy I knew; But who wast thou, O happy, happy dove? His Psyche true!

"Mid hush'd, cool-rooted flowers, fragrant-eyed, / Blue, silver-white, and budded Tyrian,"

• Describes the setting with rich, sensory details.

"They lay calm-breathing, on the bedded grass; / Their arms embraced, and their pinions too;"

• Depicts the peaceful and intimate pose of Psyche and Cupid.
• "pinions" are wings, a reference to Gods, angels and spirituality.

"Their lips touch'd not, but had not bade adieu, / As if disjoined by soft-handed slumber,"

• Suggests a moment frozen in time, full of potential love and connection.

"And ready still past kisses to outnumber / At tender eye-dawn of aurorean love:"

• Implies a new beginning of love and connection at the dawn.

"The winged boy I knew; / But who wast thou, O happy, happy dove? / His Psyche true!"

• Recognizes Cupid and wonders at Psyche's identity, celebrating her presence.
• Associating a dove with Psyche is an addition created by Keats, doves are not traditionally associated with Psyche in Greek mythology.

Stanza 3

O latest born and loveliest vision far Of all Olympus' faded hierarchy! Fairer than Phoebe's sapphire-region'd star, Or Vesper, amorous glow-worm of the sky; Fairer than these, though temple thou hast none, Nor altar heap'd with flowers; Nor virgin-choir to make delicious moan Upon the midnight hours; No voice, no lute, no pipe, no incense sweet From chain-swung censer teeming; No shrine, no grove, no oracle, no heat Of pale-mouth'd prophet dreaming.

"O latest born and loveliest vision far / Of all Olympus' faded hierarchy!"

• Praises Psyche as the most beautiful and recent addition to the pantheon of Greek gods.
  • Psyche's story of deification is introduced in the first/second century AD.
• "Olympus' faded hierarchy" suggests the decline of the traditional gods.

"Fairer than Phoebe's sapphire-region'd star, / Or Vesper, amorous glow-worm of the sky;"

• Compare Psyche's beauty to that of celestial bodies, emphasizing her unparalleled loveliness.
• Phoebe - Diana, goddess of the mood.
• Vesper = Venus, goddess of love and the morning star.

"Fairer than these, though temple thou hast none, / Nor altar heap'd with flowers;"

• Highlights that despite her beauty, Psyche lacks the traditional trappings of worship like temples and altars.

"Nor virgin-choir to make delicious moan / Upon the midnight hours;"

• Laments the absence of dedicated worshippers and rituals for Psyche.
• "Nor virgin-choir" refers to Milton 'On Christ's Nativity'.

"No voice, no lute, no pipe, no incense sweet / From chain-swung censer teeming;"

• Lists the elements of traditional worship that Psyche does not receive.
• Ideas of Paganist religion that Keats wants to reinstate.

"No shrine, no grove, no oracle, no heat / Of pale-mouth'd prophet dreaming."

• Continues to list the missing elements of worship, emphasizing the neglect of Psyche.

Stanza 4

O brightest! though too late for antique vows, Too, too late for the fond believing lyre, When holy were the haunted forest boughs, Holy the air, the water, and the fire; Yet even in these days so far retir'd From happy pieties, thy lucent fans, Fluttering among the faint Olympians, I see, and sing, by my own eyes inspir'd. So let me be thy choir, and make a moan Upon the midnight hours; Thy voice, thy lute, thy pipe, thy incense sweet From swinged censer teeming; Thy shrine, thy grove, thy oracle, thy heat Of pale-mouth'd prophet dreaming.

"O brightest! though too late for antique vows, / Too, too late for the fond believing lyre,"

• Repetition of the apostrophe at the start of the stanza, emphasises Keats' adoration for Psyche despite the lack of worship given to her.
• Acknowledges that it is too late for the traditional forms of worship that Psyche deserves.

"When holy were the haunted forest boughs, / Holy the air, the water, and the fire;"

• Recalls a time when nature and its elements were considered sacred.
  • Importance of stewardship in Christianity.
  • Nature is divine in Paganism.
  • Keats is lamenting the reduction in these values.

"Yet even in these days so far retir'd / From happy pieties, thy lucent fans,"

• Despite the modern era's distance from those sacred practices, Psyche's beauty and influence persist.

"Fluttering among the faint Olympians, / I see, and sing, by my own eyes inspir'd."

• Keats is inspired by his vision of Psyche, even among the fading gods of Olympus.

"So let me be thy choir, and make a moan / Upon the midnight hours;"

• Offers himself as a worshipper, dedicating his poetry to Psyche.

"Thy voice, thy lute, thy pipe, thy incense sweet / From swinged censer teeming;"

• Promises to provide the elements of worship through his verse.

"Thy shrine, thy grove, thy oracle, thy heat / Of pale-mouth'd prophet dreaming."

• Reiterates his commitment to creating a sacred space for Psyche through his poetry.

Stanza 5

Yes, I will be thy priest, and build a fane In some untrodden region of my mind, Where branched thoughts, new grown with pleasant pain, Instead of pines shall murmur in the wind: Far, far around shall those dark-cluster'd trees Fledge the wild-ridged mountains steep by steep; And there by zephyrs, streams, and birds, and bees, The moss-lain Dryads shall be lull'd to sleep; And in the midst of this wide quietness A rosy sanctuary will I dress With the wreath'd trellis of a working brain, With buds, and bells, and stars without a name, With all the gardener Fancy e'er could feign, Who breeding flowers, will never breed the same: And there shall be for thee all soft delight That shadowy thought can win, A bright torch, and a casement ope at night, To let the warm Love in!

"Yes, I will be thy priest, and build a fane / In some untrodden region of my mind,"

• Keats is reconceptualising Romantic poetry as a Pagan religion.
• Declares his intention to serve as Psyche's priest and create a temple in his imagination.
  • "untrodden" suggests untainted by experience, thus a sacred place.

"Where branched thoughts, new grown with pleasant pain, / Instead of pines shall murmur in the wind:"

• Describes his thoughts as branches, growing with creative inspiration.
  • His creativity is unrestrained, his mind becoming a natural growing landscape.
• The oxymoron of "pleasant pain" links to Keats' reference to "soul-making" in his letters.

"Far, far around shall those dark-cluster'd trees / Fledge the wild-ridged mountains steep by steep;"

• Imagines an expansive, imaginative landscape filled with trees and mountains.

"And there by zephyrs, streams, and birds, and bees, / The moss-lain Dryads shall be lull'd to sleep;"

• Fills this mental landscape with natural elements and mythical creatures.
• Dryads are nature spirits, and nymphs, which reinforces the idea of spirituality and the supernatural.

"And in the midst of this wide quietness / A rosy sanctuary will I dress"

• Plans to create a beautiful, peaceful sanctuary in his mind for Psyche.

"With the wreath'd trellis of a working brain, / With buds, and bells, and stars without a name,"

• Describes the sanctuary as adorned with the creations of his imagination.

"With all the gardener Fancy e'er could feign, / Who breeding flowers, will never breed the same:"

• Emphasizes the uniqueness and creativity of his imaginative efforts.
• "Fancy" = part of the mind that allows for imagination and creativity.
  • Sometimes allied with mere escapism, lesser pressure.
  • Here Fancy is capable of maintaining an alternate world.
• This line rounds up the poem, with a shift in tone happening in the last four lines.

"And there shall be for thee all soft delight / That shadowy thought can win,"

• Shift in tone for the last four lines of the poem.
  • Contrast to the Romantic odes with darker themes.
• Promises to provide all the pleasures that his imagination can conjure.

"A bright torch, and a casement ope at night, / To let the warm Love in!"

• Concludes with an image of an open window and a torch, symbolizing the invitation of love and inspiration into his mind.
  • Also opening Keats' mind to the idea of divine love.
• Capitalised "Love" is a reference to Cupid/Eros.