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Clarissa Dalloway is the central character in Virginia Woolf's "Mrs Dalloway." A 52-year-old upper-class woman, she is known for her parties and social grace. Clarissa embodies the complexities of post-war British society and the internal struggles of a woman reflecting on her past choices and existential concerns. Her character oscillates between moments of profound insight and superficiality, illustrating Woolf's exploration of identity, memory, and the passage of time.
"She had once thrown a shilling into the Serpentine, never anything more. But he had flung it away… A thing there was that mattered; a thing, wreathed about with chatter, defaced, obscured in her own life, let drop every day in corruption, lies, chatter. This he had preserved. Death was defiance. Death was an attempt to communicate; people feeling the impossibility of reaching the centre which, mystically, evaded them; closeness drew apart; rapture faded, one was alone. There was an embrace in death."
"She enjoyed practically everything… She had a sense of comedy that was really exquisite, but she needed people, always people, to bring it out, with the inevitable result that she frittered her time away, lunching, dining, giving these incessant parties of hers, talking nonsense, saying things she didn't mean, blunting the edge of her mind, losing her discrimination."
"Her emotions were all on the surface. Beneath, she was very shrewd – a far better judge of character than Sally, for instance, and with it all, purely feminine; with that extraordinary gift, that woman's gift, of making a world of her own wherever she happened to be. She came into a room; she stood, as he had often seen her, in a doorway with lots of people round her. But it was Clarissa one remembered."
"But that young man had killed himself. Somehow it was her disaster – her disgrace."
"I will come," said Peter, but he sat on for a moment. What is this terror? what is this ecstasy? he thought to himself. What is it that fills me with extraordinary excitement? It is Clarissa, he said. For there she was."
Septimus Warren Smith is a World War I veteran suffering from severe PTSD in "Mrs Dalloway." His character serves as a poignant contrast to Clarissa Dalloway, representing the psychological scars of war and the failure of society to understand and support those who are mentally ill. Septimus's experiences and eventual suicide are central to the novel's exploration of trauma, isolation, and the search for meaning.
"Septimus was one of the first to volunteer. He went to France to save an England which consisted almost entirely of Shakespeare's plays and Miss Isabel Pole in a green dress walking in a square."
"'So you're in a funk,' he said agreeably, sitting down by his patient's side. He had actually talked of killing himself to his wife, quite a girl, a foreigner, wasn't she? Didn't that give her a very odd idea of English husbands? Didn't one owe perhaps a duty to one's wife? Wouldn't it be better to do something instead of lying in bed? For he had forty years' experience behind him; and Septimus could take Dr. Holmes's word for it – there was nothing whatever the matter with him."
"Mrs. Peters had a spiteful tongue. Mr. Peters was in Hull. Why then rage and prophesy? Why fly scourged and outcast? Why be made to tremble and sob by the clouds? Why seek truths and deliver messages when Rezia sat sticking pins into the front of her dress, and Mr. Peters was in Hull?"
"But he would wait till the very last moment. He did not want to die. Life was good. The sun hot. Only human beings – what did they want? Coming down the staircase opposite an old man stopped and stared at him. Holmes was at the door. 'I'll give it you!' he cried, and flung himself vigorously, violently down on to Mrs. Filmer's area railings."
"Death was defiance. Death was an attempt to communicate; people feeling the impossibility of reaching the centre which, mystically, evaded them; closeness drew apart; rapture faded, one was alone. There was an embrace in death."
Peter Walsh is a complex and conflicted character in "Mrs Dalloway." Once deeply in love with Clarissa, his return to London after years in India rekindles old emotions and unresolved tensions. Peter represents the themes of unfulfilled potential and the passage of time, as he grapples with his past decisions and current discontent. His interactions with Clarissa reveal both his enduring affection and his critical nature.
"Her emotions were all on the surface. Beneath, she was very shrewd – a far better judge of character than Sally, for instance, and with it all, purely feminine; with that extraordinary gift, that woman's gift, of making a world of her own wherever she happened to be. She came into a room; she stood, as he had often seen her, in a doorway with lots of people round her. But it was Clarissa one remembered. Not that she was striking; not beautiful at all; there was nothing picturesque about her; she never said anything specially clever; there she was, however; there she was."
"I will come," said Peter, but he sat on for a moment. What is this terror? what is this ecstasy? he thought to himself. What is it that fills me with extraordinary excitement? It is Clarissa, he said. For there she was."
"She enjoyed practically everything… She had a sense of comedy that was really exquisite, but she needed people, always people, to bring it out, with the inevitable result that she frittered her time away, lunching, dining, giving these incessant parties of hers, talking nonsense, saying things she didn't mean, blunting the edge of her mind, losing her discrimination."
"What is this terror? what is this ecstasy? he thought to himself. What is it that fills me with extraordinary excitement? It is Clarissa, he said. For there she was."
"It was awful, he cried, awful, awful! Still, the sun was hot. Still, one got over things. Still, life had a way of adding day to day."
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