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Viola, the protagonist of Shakespeare's "Twelfth Night," is a shipwrecked young noblewoman who disguises herself as a male page named Cesario. This disguise leads to a complex web of romantic entanglements as she serves Duke Orsino, with whom she falls in love, while Lady Olivia, the object of Orsino's affection, falls in love with Cesario. Viola's resourcefulness, intelligence, and emotional depth make her one of Shakespeare's most endearing and resilient characters.
"My father had a daughter loved a man, As it might be, perhaps, were I a woman, I should your lordship." (Act 2, Scene 4)
"Give me thy hand And let me see thee in thy woman's weeds." (Act 5, Scene 1)
"Thy small pipe Is as the maiden's organ, shrill and sound, And all is semblative a woman's part." (Act 1, Scene 4)
"Lady, you are the cruell'st she alive If you will lead these graces to the grave And leave the world no copy." (Act 1, Scene 5)
"Make me a willow cabin at your gate And call upon my soul within the house; Write loyal cantons of contemned love And sing them loud even in the dead of night." (Act 1, Scene 5)
"My father had a daughter loved a man, As it might be, perhaps, were I a woman, I should your lordship." (Act 2, Scene 4)
"Give me thy hand And let me see thee in thy woman's weeds." (Act 5, Scene 1)
Orsino, the Duke of Illyria in "Twelfth Night," is a nobleman obsessed with the idea of love. His infatuation with Lady Olivia demonstrates his melodramatic nature and his tendency to idealize romance. Orsino's character explores themes of love's folly and self-indulgence, and he transforms as he shifts his affections from Olivia to Viola by the play's end.
"If music be the food of love, play on, Give me excess of it; that, surfeiting, The appetite may sicken, and so die." (Act 1, Scene 1)
"I have unclasped To thee the book even of my secret soul." (Act 1, Scene 4)
"Give me thy hand And let me see thee in thy woman's weeds." (Act 5, Scene 1)
"If music be the food of love, play on, Give me excess of it; that, surfeiting, The appetite may sicken, and so die." (Act 1, Scene 1)
"So full of shapes is fancy That it alone is high fantastical." (Act 1, Scene 1)
"Thy small pipe Is as the maiden's organ, shrill and sound, And all is semblative a woman's part." (Act 1, Scene 4)
"Give me thy hand And let me see thee in thy woman's weeds." (Act 5, Scene 1)
Olivia, a wealthy noblewoman in "Twelfth Night," is initially portrayed as a melancholic character mourning her brother's death. Her character evolves as she becomes infatuated with Cesario (Viola in disguise). Olivia's journey highlights themes of grief, love, and the confusion of identity.
"The element itself, till seven years' heat, Shall not behold her face at ample view." (Act 1, Scene 1)
"Methinks I feel this youth's perfections With an invisible and subtle stealth To creep in at mine eyes." (Act 1, Scene 5)
"Blame not this haste of mine. If you mean well, Now go with me and with this holy man Into the chantry by." (Act 4, Scene 3)
"The element itself, till seven years' heat, Shall not behold her face at ample view." (Act 1, Scene 1)
"Methinks I feel this youth's perfections With an invisible and subtle stealth To creep in at mine eyes." (Act 1, Scene 5)
"O, what a deal of scorn looks beautiful In the contempt and anger of his lip!" (Act 3, Scene 1)
"Blame not this haste of mine. If you mean well, Now go with me and with this holy man Into the chantry by." (Act 4, Scene 3)
Sebastian, Viola's twin brother in "Twelfth Night," is shipwrecked and believed to be dead by his sister. His arrival in Illyria leads to a series of mistaken identities, culminating in his unexpected marriage to Olivia. Sebastian's presence highlights themes of identity, reunion, and the confusion of appearance versus reality.
"My stars shine darkly over me; the malignancy of my fate might perhaps distemper yours." (Act 2, Scene 1)
"If it be thus to dream, still let me sleep!" (Act 4, Scene 1)
"I'll follow this good man and go with you; And, having sworn truth, ever will be true." (Act 4, Scene 3)
"My stars shine darkly over me; the malignancy of my fate might perhaps distemper yours."(Act 2, Scene 1)
"If it be thus to dream, still let me sleep!" (Act 4, Scene 1)
"I'll follow this good man and go with you; And, having sworn truth, ever will be true." (Act 4, Scene 3)
"You are betrothed both to a maid and man." (Act 5, Scene 1)
Malvolio, the steward of Olivia's household in "Twelfth Night," is characterized by his self-importance and ambition. His puritanical demeanour and aspirations for social advancement make him the target of a cruel prank by other characters, which leads to his downfall. Malvolio's character explores themes of social ambition, deception, and the nature of folly.
"Yes, and shall do till the pangs of death shake him: Infirmity, that decays the wise, doth ever make the better fool." (Act 1, Scene 5)
"Some are born great, some achieve greatness, and some have greatness thrust upon 'em." (Act 2, Scene 5)
"I say, this house is as dark as ignorance, though ignorance was as dark as hell." (Act 4, Scene 2)
"I'll be revenged on the whole pack of you!" (Act 5, Scene 1)
"Yes, and shall do till the pangs of death shake him: Infirmity, that decays the wise, doth ever make the better fool." (Act 1, Scene 5)
"Some are born great, some achieve greatness, and some have greatness thrust upon 'em." (Act 2, Scene 5)
"I say, this house is as dark as ignorance, though ignorance were as dark as hell." (Act 4, Scene 2)
"I'll be revenged on the whole pack of you!" (Act 5, Scene 1)
The Captain in "Twelfth Night" is a minor character who plays a crucial role in the early part of the play. He rescues Viola after the shipwreck and helps her disguise herself as Cesario, setting the stage for the play's central conflicts and themes of disguise and mistaken identity.
"And what should I do in Illyria? My brother he is in Elysium." (Act 1, Scene 2)
This moment establishes the Captain as a trustworthy and helpful character, aiding Viola in her time of need.
Assisting Viola's Disguise (Act 1, Scene 2): The Captain helps Viola plan her disguise as Cesario to serve Duke Orsino.
"Be you his eunuch, and your mute I'll be: When my tongue blabs, then let my eyes not see." (Act 1, Scene 2)
"And what should I do in Illyria? My brother he is in Elysium." (Act 1, Scene 2)
"Be you his eunuch, and your mute I'll be: When my tongue blabs, then let mine eyes not see." (Act 1, Scene 2)
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