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Revision notes with simplified explanations to understand On an Afternoon Train from Purley to Victoria, 1955 quickly and effectively.
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James Berry was a Jamaican-British poet known for his work exploring the immigrant experience and cultural identity. This poem reflects on a moment of observation and contemplation during a train journey, capturing the everyday life and changing landscapes experienced by the speaker.
Hello, she said, and startled me. Nice day. Nice day I agreed.
I am a Quaker she said and Sunday I was moved in silence to speak a poem loudly for racial brotherhood.
I was thoughtful, then said what poem came on like that? One the moment inspired she said. I was again thoughtful.
← Repetition
Inexplicably I saw empty city streets lit dimly in a day's first hours. Alongside in darkness was my father's big banana field.
Where are you from? she said.
Jamaica I said.
What part of Africa is Jamaica? she said.
Where Ireland is near Lapland I said.
Hard to see why you leave
such sunny country she said.
Snow falls elsewhere I said.
So sincere she was beautiful
as people sat down around us.
← Imagery
← Dialogue
← Humour and irony
← Personification
Example Practice Question - Compare how poets present ideas about journeys and reflections in 'On an Afternoon Train from Purley to Victoria, 1955' and in one other poem from 'Worlds and Lives'.
Example Paragraph for a Grade 9 Answer:
In "On an Afternoon Train from Purley to Victoria, 1955," Berry presents journeys and reflections through dialogue and vivid imagery. The line "Empty city streets lit dimly in a day's first hours" creates a sense of quiet reflection, contrasting with the busy movement of the train. This reflective mood is echoed in the repetition of "I was thoughtful," which shows the speaker's pause to reflect on the woman's comments. The humorous response "Where Ireland is near Lapland" highlights the tension between the speaker's understanding and the woman's ignorance, suggesting that journeys can be both literal and emotional, involving personal growth and reflection.
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