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Maggie is the central protagonist in the play, and her character undergoes significant development as she navigates the challenges of being a working-class housewife in the East End of Glasgow during the 1930s.
Maggie's character in "Men Should Weep" is a poignant portrayal of a woman's journey from a traditional role to one of self-determination and independence in the face of adversity. Her transformation throughout the play showcases the resilience and strength of the human spirit.
Lily is a character in the play who provides an interesting contrast to Maggie, the central protagonist. Her character highlights the challenges and perspectives of unmarried, independent women in the 1930s.
Lily's character in "Men Should Weep" exemplifies an independent, unconventional woman with feminist beliefs in a society that adheres to traditional gender roles. Her presence challenges the status quo and catalyses Maggie's transformation and journey towards independence. While Lily's bitterness towards men is evident, her support for her sister is a central aspect of her character.
John is a character in the play who represents the traditional male role and expectations of the 1930s. While his character is often seen as chauvinistic and lacking in some aspects, the audience can still empathise with his struggles in the context of poverty and unemployment.
John's character faces a threefold humiliation at the end of the play:
John's character in "Men Should Weep" reflects the societal expectations and limitations placed on men in the 1930s. While his character can be perceived as chauvinistic and proud, his struggles with unemployment and his role within the family provide depth to his character, making him relatable to the audience. The humiliation at the end of the play is a turning point that challenges his traditional role and his pride.
Jenny is a vital character in the play, symbolising the aspirations and rebelliousness of the younger generation. Her character reflects the desire for a better life beyond the oppressive family home and societal restrictions.
Jenny's pivotal role in the play drives the plot and facilitates Maggie's journey to self-discovery and self-actualization. Her reappearance with enough money to provide for the family in a "decent part of the town" contributes to the resolution of the story, although it does not return the family to its original state.
Jenny's character in "Men Should Weep" exemplifies the changing values and aspirations of the younger generation, challenging the societal norms of the 1930s. Her transformation and ultimate return to the family provide a sense of hope for the Morrison family's future and play a crucial role in Maggie's journey towards self-discovery.
Alec and Isa serve as contrasting characters to John and Maggie in the play. They embody different qualities and dynamics within the family, shedding light on various aspects of poverty and gender roles in their society.
Alec's character reflects weakness and vulnerability. He is easily manipulated by his wife, Isa, and fails to take control of his own life. His inability to stand up for himself ultimately leads to violence within his marriage.
Alec is portrayed as a spoiled young man who takes advantage of his mother's love for him. He frequently manipulates Maggie for cigarettes and money, displaying a selfish and immature nature. His actions are often driven by his own desires.
Alec's character is marked by dishonesty, as he deceives his mother and has a history of trouble with the police. His immaturity is evident in his jealousy and selfishness, as he struggles to address the problems in his marriage.
Alec's character mirrors his father, John, in terms of laziness, feebleness, and being easily dominated by women. He embodies the impact of poverty and societal constraints on individuals.
Calculating and Ambitious:
Isa is depicted as a calculating and ambitious woman. She is not afraid to use her sexuality to achieve her goals and is highly flirtatious in nature. Her ambitions are primarily financial, as she seeks men who can provide for her.
Lack of Identity:
Isa's character lacks a strong sense of identity. She conforms to societal expectations that a woman's identity is defined by her relationship with a man. Her independence is limited compared to characters like Lily and Maggie.
Flirtatious Behaviour:
Isa's flirtatious behaviour extends even to her father-in-law, John, reflecting her view that a woman's identity is intertwined with the men in her life. Her independence is more economic than revolutionary.
Parallel to Maggie and John's Relationship:
Isa's relationship with Alec mirrors certain elements of Maggie and John's relationship. Both women carry the burden of their lazy partners, highlighting the dynamics within impoverished families.
Alec and Isa provide a contrast to the central characters, highlighting the impact of poverty and the complex dynamics within the family. Their characters exemplify the influence of societal norms and expectations on individuals in the context of the 1930s Glasgow tenements.
Granny's character serves as a representation of the challenges faced by the elderly in the play. She is a burden to the family, and her presence highlights the difficulties associated with ageing and dependency.
Granny is shuttled between Maggie and Lizzie's houses, indicating that she is not provided with a stable living arrangement. She becomes a symbol of the elderly population's lack of security and stability.
Maggie treats Granny like one of her children. She is often given orders and told to go to bed early, highlighting her lack of independence and the fact that she is regarded as an additional responsibility.
Granny is aware of her own lack of purpose and often expresses a desire to be elsewhere, wishing her time away. This reflects the emotional struggles and isolation that elderly individuals may experience.
Granny's situation exposes the neglect and disrespect that the elderly can face. Isa treats her with disrespect, and Lizzie is primarily interested in her pension book, illustrating the self-serving attitudes of some family members.
Granny provides moments of comic relief in the play. For instance, when Maggie is hurt by Lily's reaction to her new hat, Granny's action of dropping her biscuit into her tea diverts attention and adds a touch of humour. This juxtaposition of humour and perceptiveness within Granny's character offers depth to her portrayal.
Granny's character serves as a caricature, highlighting the extreme dependency experienced by elderly individuals in society. She lacks independence and control over her own life, relying entirely on her family for her well-being and care.
Granny's character underscores the burden placed on families when caring for elderly relatives. Her presence creates additional demands on an already struggling household, highlighting the overcrowding and limited resources associated with poverty.
Granny's pension book is used as a source of income for the family, reflecting the financial strain they are under. This exploitation of her pension underscores the economic difficulties they face.
While Granny provides important context regarding the challenges of ageing, her character does not significantly drive the plot. Her voicelessness and lack of agency underscore the vulnerability of elderly individuals in society.
Granny's character represents the voiceless elderly population and the difficulties they face in a family struggling with poverty and overcrowding. Her presence highlights the need for more compassionate and supportive care for the elderly in such circumstances.
Mrs. Wilson, Mrs. Bone, and Mrs. Harris, the neighbours in the play, collectively serve as a Greek chorus, providing commentary on the events, offering help, and representing the wider community within the tenements.
The neighbours are integral parts of a closely-knit community within the tenements, reflecting the interdependence of residents who often help each other out in times of need.
These women are known for their gossiping tendencies, knowing the ins and outs of everyone's business in the neighbourhood. Their gossip serves as a source of information and judgement.
Functioning as a Greek chorus, the neighbours provide commentary on the ongoing action while being both insiders and outsiders to the drama. Their comments shed light on various aspects of the play's themes.
The neighbours highlight the social control exerted by men in their homes, with each of their husbands exerting varying degrees of control over their lives.
They embody the female social experience within the tenement community, engaging in activities like having tea and making jokes about their husbands out of earshot, showcasing the solidarity and support among women.
The neighbours help amplify themes such as domestic relationships, social and economic control, and the female social experience in the tenement context.
The neighbours exemplify the dynamics of a closely-knit community, where individuals help each other out in times of need, providing a sense of unity and shared experiences.
These women reflect the judgmental views prevalent in society at the time. They gossip about issues like nits, Alec, and Jenny, showcasing the social norms and biases of the era.
The neighbours offer support to one another through babysitting, providing a support system for domestic abuse victims, and sharing information and experiences
The neighbours highlight the extent of social control exerted by men in their households. This control is reflected through actions like Mrs. Bone's husband banging on the floor for her or Mrs. Harris's economic dependence on her husband's wages.
The interactions between the neighbours exemplify the interconnectedness between generations of women in the community, with tea sessions and private conversations providing a glimpse into their shared experiences and struggles.
The neighbours function as a collective voice that comments on the social dynamics, gender roles, and relationships within the tenement community, adding depth and perspective to the play's narrative.
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