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Question 8
Choose ONE choreographer that you have studied from the prescribed list below. SOUTH AFRICAN CHOREOGRAPHERS Alfred Hinkel Gregory Maqoma Hazel Acosta Mavis Becker ... show full transcript
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Good evening and welcome to the dance festival. I am honored to introduce the renowned choreographer Gregory Maqoma. Maqoma was born in 1973 in Soweto, South Africa, where he began his journey in dance during the politically tumultuous 1980s. Seeking an escape from the surrounding strife, he immersed himself in the vibrant dance scene of his community. His formal training commenced with 'Moving Into Dance', where he honed his skills under the mentorship of Sylvia Glasser.
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Gregory Maqoma received a scholarship to study at PARTS (Performing Arts Research and Training Studios) in Belgium. He later founded the African Contemporary dance company known as the 'Vuyani Dance Company,' which has garnered both local and international acclaim. His work has seen him travel to various universities worldwide, sharing the rich cultural heritage of South African dance.
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Maqoma's contributions extend beyond performance; he has significantly impacted the South African dance landscape, often infusing cultural narratives and themes in his choreography that speak to social issues and human experiences. Through his work, he not only preserves but also innovates South African traditions.
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Maqoma's choreography is a blend of various dance styles such as African dance, contemporary, and ballet, which he skillfully incorporates into themed works. The political landscape and social conditions of South Africa deeply inform his pieces, enabling him to address pertinent issues such as cultural identity and social justice within his performances.
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Collaboration plays a crucial role in Maqoma's artistic process. He engages with diverse artists, drawing from their personal experiences and insights to enrich his works. This collaborative spirit leads to a fusion of ideas, styles, and cultural rituals, manifesting in dynamic performances that resonate with audiences.
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