QUESTION 11: CHOREOGRAPHERS AND DANCE WORKS Answer this question by referring to any TWO of the prescribed choreographers below - NSC Dance Studies - Question 11 - 2016 - Paper 1

George Balanchine was a Russian-American choreographer, known for co-founding the New York City Ballet. He evolved early in the ballet world where he introduced innovative structures and styles that shifted ballet towards a modern sensibility. His training in Russia laid the groundwork for his neoclassical style.
Dada Masilo is a South African choreographer recognized for blending contemporary dance with traditional African dance forms. Her work is rooted in her cultural background, enabling her to reinterpret classical works through a contemporary lens. She trained at the University of the Witwatersrand and later honed her skills in various international dance companies.

In Balanchine's "Apollo", the choreographic elements primarily include classical ballet vocabulary, characterized by pure lines and intricate footwork. The lighting design plays a critical role in establishing mood, with soft washes creating an ethereal atmosphere. The costumes are minimalist and elegant, emphasizing the fluidity of movement. In contrast, Dada Masilo’s "Swan Lake/ Romeo and Juliet" employs a mixture of African dance vocabulary, integrating dynamic movements with storytelling. The use of vibrant costumes reflects cultural themes, while music integrates both classical and Afro-centric sounds to enhance the narrative.

I support Dada Masilo's work the most due to its innovative merging of traditional African dance with classical ballet. Her interpretation of "Swan Lake" addresses themes of love and tragedy through a culturally relevant lens that makes the classical narrative accessible to a contemporary audience. This work had a profound impact on me, as it not only challenged my understanding of traditional dance forms but also highlighted the relevance of cultural narratives in modern choreography.