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4.1 "People ignore designs that ignore people." – Frank Chimera Choose any TWO movements from the list below that reflect or reject the quotation above - NSC Design - Question 4 - 2022 - Paper 1

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4.1--"People-ignore-designs-that-ignore-people."---–-Frank-Chimera----Choose-any-TWO-movements-from-the-list-below-that-reflect-or-reject-the-quotation-above-NSC Design-Question 4-2022-Paper 1.png

4.1 "People ignore designs that ignore people." – Frank Chimera Choose any TWO movements from the list below that reflect or reject the quotation above. - Art... show full transcript

Worked Solution & Example Answer:4.1 "People ignore designs that ignore people." – Frank Chimera Choose any TWO movements from the list below that reflect or reject the quotation above - NSC Design - Question 4 - 2022 - Paper 1

Step 1

Choose TWO movements from the list

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Answer

For this analysis, I will choose Pop Design and De Stijl as the two movements to explore how they reflect the quotation by Frank Chimera.

Step 2

Discuss how Pop Design reflects or rejects the quotation

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Answer

Pop design typically aims to create accessible designs that engage a broader audience, making the statement that people do, in fact, appreciate designs that cater to their tastes. The influence of mass culture, pop stars, and consumer goods in the 1960s led to designs that are vibrant and familiar to the general public. A notable example of this is the Elephant chair by Rancillac, which embodies the whimsical and functional approach of Pop Design, making it relevant and appealing to a wide audience.

Step 3

Discuss how De Stijl reflects or rejects the quotation

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Answer

De Stijl emphasizes simplicity and abstraction, aiming for harmony and order in its visual language. These designs often reflect a more conceptual approach that may not cater directly to the emotional needs of a broad audience, leaning towards a more niche appreciation. A classic example is the 'De Stijl' table by Grey, which is characterized by simple forms and primary colors, representing a structured approach to design that may not resonate with everyone. However, De Stijl's intention to create designs for a 'better' society could also reflect the quotation, suggesting a deeper engagement with the needs of the people.

Step 4

Comparison of chandeliers in FIGURE H and FIGURE I

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Answer

In comparing the Modernist chandelier (FIGURE H) and the Scandinavian Sputnik chandelier (FIGURE I), the stylistic characteristics are evident:

  1. Line: The Modernist chandelier features sleek, straight lines indicative of a functional approach, while the Sputnik chandelier embraces a more playful, starburst form that suggests dynamism.
  2. Colour: The Modernist design employs a metallic finish, creating an industrial feel. In contrast, the Sputnik chandelier often incorporates vibrant colors, typical of 1950s Scandinavian design, which aimed for warmth and personality.
  3. Form: The Modernist design is geometric and symmetrical, reflecting rationalism, whereas the Sputnik chandelier is organic and asymmetric, embodying a sense of spontaneity and creativity.
  4. Materials: The Modernist chandelier uses metal and glass for a clean aesthetic, while the Sputnik chandelier often combines metal with wood, showcasing a textured, tactile quality.
  5. Influences: The Modernism movement influenced FIGURE H’s aesthetic through Cubism and abstraction, aiming for simplicity, while FIGURE I's design is rooted in the post-war desire for innovation and playfulness, characteristic of Scandinavian design.

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