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QUESTION 3: INDIGENOUS AFRICAN MUSIC (IAM) Listen to the following tracks and answer the questions that follow - NSC Music - Question 3 - 2022 - Paper 2

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QUESTION 3: INDIGENOUS AFRICAN MUSIC (IAM) Listen to the following tracks and answer the questions that follow. Play Tracks 10 to 18 in succession. Track 10 – Twi... show full transcript

Worked Solution & Example Answer:QUESTION 3: INDIGENOUS AFRICAN MUSIC (IAM) Listen to the following tracks and answer the questions that follow - NSC Music - Question 3 - 2022 - Paper 2

Step 1

3.1 Indicate THREE items in COLUMN A that relate to the music in Track 10. Make a cross (X) in THREE appropriate blocks.

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Answer

The items selected from Track 10 are:

  • Ululation (X)
  • Overlapping (X)
  • Cyclic chord progression (X)

These elements reflect important aspects of the indigenous African music presented in Track 10.

Step 2

3.2 Indicate THREE items in COLUMN A that relate to the music in Track 11. Make a cross (X) in THREE appropriate blocks.

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Answer

The items from Track 11 include:

  • Accordion/Concertina (X)
  • Male and female singers (X)
  • Drum and idiophone (X)

These selections highlight the instrumentation and vocal arrangements typical in the music of Track 11.

Step 3

3.3 Indicate THREE items in COLUMN A that relate to the music in Track 12. Make a cross (X) in THREE appropriate blocks.

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Answer

For Track 12, I identify:

  • Abangoma rhythms (X)
  • Call and response (X)
  • Simple time (X)

These features are characteristic of the rhythmic and interactive elements found in Track 12.

Step 4

3.4 Compare the music in Track 13 and Track 14 according to the given features. Write your answers in the spaces provided.

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Answer

The comparisons are as follows:

  • Singers: Male solo voice/Khuza/Tenor for Track 13; SATB/mixed choir for Track 14.
  • Style: Maskanda for Track 13; African choral style (Isitibili) for Track 14.
  • Accompanying instruments: Guitar/bass/synthesizer for Track 13; Drum for Track 14.

Step 5

3.5 Answer the following questions by making a cross (X) in the appropriate block.

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Answer

3.5.1 The style of music in this extract is Mbaqanga (X).

3.5.2 The compositional technique used is Call and response (X).

3.5.3 The group of instruments includes Alto saxophone, Penny whistle, and Guitar Shaker.

Step 6

3.5.4 Describe what the soloist does in this extract.

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Answer

The soloist improvises on the original melody by changing aspects to create a new melody. This includes introducing new rhythms and embellishments, thus adding complexity to the musical piece.

Step 7

3.5.5 With which artist do you associate this extract?

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Answer

This extract is associated with Spokes Mashiyane or Lemmy Mabaso.

Step 8

3.6 Name this mbaqanga song.

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Answer

The name of the mbqanga song is Wamuhle.

Step 9

3.6.1 Which mbqanga style features do you hear in this extract? Make a cross (X) in THREE appropriate blocks.

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Answer

The selected mbqanga style features include:

  • Hard-driving beat on the drums (X)
  • Call and response between a male leader and female backing vocals (X)
  • Guitar ostinato (X)

These elements are vital to the mbqanga style presented in this track.

Step 10

3.7.1 Name the style which you associate with this extract.

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Answer

The style associated with this extract is Isicathamiya.

Step 11

3.7.2 Motivate your answer to QUESTION 3.7.1.

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Answer

The characteristics supporting my answer include:

  • Male singers/TBBB
  • Hymn-like singing with clapping
  • Crepitations and call and response elements illustrating the icathamiya style.

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