Complete the four-part vocal harmonisation below by adding the alto, tenor and bass parts - NSC Music - Question 4 - 2023 - Paper 1
Question 4
Complete the four-part vocal harmonisation below by adding the alto, tenor and bass parts. Harmonise in crochets (use a minim in bar 4) and demonstrate the following... show full transcript
Worked Solution & Example Answer:Complete the four-part vocal harmonisation below by adding the alto, tenor and bass parts - NSC Music - Question 4 - 2023 - Paper 1
Step 1
Passing second inversion (ii6) progression
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Answer
To complete the passing second inversion progression, I will use the ii6 chord in the key of D major, which is E minor in first inversion. The voicing should include the root, third, and fifth of the chord, ideally sounding smooth and connected to the surrounding chords.
Step 2
Cadential second inversion (ii6) progression
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Answer
For the cadential second inversion progression, I will create a ii6 - V - I (E minor - A7 - D major) progression, ensuring to resolve the V to I properly. This should reflect a strong cadential feel to conclude the phrase.
Step 3
Interrupted cadence
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An interrupted cadence typically involves a V chord followed by a vi chord. I will utilize the V (A7) leading to the vi (B7) to create this effect, leading the listener to expect resolution but instead pivoting to another direction.
Step 4
Dominant seventh chord
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The dominant seventh chord I will add is the A7 chord (or V7 in the key of D). This chord includes the notes A, C#, E, and G, giving it the necessary tension that resolves to the D major chord.