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Question 10
Write an extensive article for your school newspaper regarding the FOURTH and FIFTH movements of Beethoven's Symphony No. 6, opus 68. Discuss, amongst other facts, t... show full transcript
Step 1
Answer
The FOURTH movement is called "Thunderstorm" and the pace is Allegro and a punctuated half-note = 80. It is written in F minor, the time signature is 4/4 and is in free single-form, comparable to program music with interesting orchestral colors.
In this movement, Beethoven enhances the traditional orchestration by adding several instruments. The ensemble includes a piccolo, flute, clarinet in Bb, bassoon, horn in F, trombone (alto and tenor), timpani, and strings. This array of instruments contributes to a vivid representation of a thunderstorm, with the strings creating a sensation of raindrops and the winds building up tension that leads to the storm's climax.
The role of the instruments is crucial. The strings play staccato chords and provide the 'big fall' effect simulating raindrops falling. The timpanis enhance the feeling of impending thunder, while the upper strings execute tremolos, increasing the excitement as the storm approaches. The musical dynamics transition following the storm's progression with thunder rumbling in the distance, effectively engaging listeners with this depiction of nature.
Step 2
Answer
The FIFTH movement is the finale and is called "Shepherd's song - Happy and grateful feelings after the storm." The pace is Allegretto and a punctuated quarter-note = 60. The structure resembles a symphonic rando form, featuring a 7-leaf round shape.
This movement emphasizes a symmetrical eight-bar theme, representing the shepherds' songs of thanksgiving. As the storm subsides, the composition evokes a sense of relief; the melodies express joy and the return of calm in nature.
The movement begins with a yodel "Ranz des Vanches," introduced by the horn, accompanied by the strings playing softly dominant and tonic harmonies. The music persists with a pastoral quality, evoking images of animals and nature rejoicing in the aftermath. The coda builds toward a joyful climax with the full orchestra, continuously affirming the thankful sentiment expressed in this concluding segment of the symphony.
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