Complete the four-part vocal harmonisation below by adding the alto, tenor and bass parts - NSC Music - Question 4 - 2023 - Paper 1
Question 4
Complete the four-part vocal harmonisation below by adding the alto, tenor and bass parts. Harmonise in crochets (use a minim in bar 4) and demonstrate the following... show full transcript
Worked Solution & Example Answer:Complete the four-part vocal harmonisation below by adding the alto, tenor and bass parts - NSC Music - Question 4 - 2023 - Paper 1
Step 1
Passing second inversion (4-2) progression
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Answer
To achieve a passing second inversion progression, start with the chord that forms the second inversion. For example, in a C major context, the ii chord (D minor) in second inversion can lead to a dominant (G7) chord, ensuring smooth voice leading.
Step 2
Cadential second inversion (4-2) progression
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Answer
For the cadential second inversion, consider using a G7 chord in second inversion to resolve to C major. The bass should move from D to G, creating a strong cadential effect.
Step 3
Interrupted cadence
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Answer
An interrupted cadence typically involves moving from the V chord to a vi chord. In this context, use G7 moving to A minor to create the sense of interruption.
Step 4
Dominant seventh chord
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Answer
Introduce a dominant seventh chord by employing G7, which contains the notes G, B, D, and F. This chord will lead effectively to the tonic, C major.
