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Complete the opening below to form a twelve-bar melody in ternary form for any single-line melodic instrument of your choice - NSC Music - Question 2 - 2021 - Paper 1

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Complete the opening below to form a twelve-bar melody in ternary form for any single-line melodic instrument of your choice. Name the instrument and supply a suitab... show full transcript

Worked Solution & Example Answer:Complete the opening below to form a twelve-bar melody in ternary form for any single-line melodic instrument of your choice - NSC Music - Question 2 - 2021 - Paper 1

Step 1

Instrument: Choose a suitable instrument.

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Answer

For this melody, I will choose the Saxophone as the melodic instrument.

Step 2

Tempo: Provide a suitable tempo indication.

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Answer

The tempo indication will be Moderato/Allegretto.

Step 3

Complete the melody: Write the melody in ternary form.

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Answer

To achieve a twelve-bar melody in ternary form, the sections will be divided as follows:

  • A section: This consists of an initial melodic theme that establishes the tonality and sets a mood.
  • B section: The contrasting material introduces new melodic ideas and develops the thematic material.
  • A' section: This returns to the original theme, possibly with slight variations in dynamics or articulation to reflect musical growth.

Melody Structure:

  1. A section: Presents the main theme with an imperfect cadence in the first and second bars, leading to a perfect cadence to close the section.
  2. B section: Introduces a new phrase, emphasizing harmonic motion toward the climax of the melody.
  3. A' section: Returns to the original theme, incorporating embellishments such as dynamic markings (e.g., crescendos and staccatos) to enhance expressiveness.

Step 4

Dynamic and articulation indications: Provide markings.

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Answer

Throughout the melody:

  • Begin with piano (p) at the start of the A section, gradually increasing to forte (f) at the peak of the B section.
  • Include articulation markings such as staccato for notes that require a clipped sound and legato for smooth phrases.
  • Utilize crescendo and decrescendo markings to shape the overall dynamic contour.

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