NSC Music Function and value of IAM: QUESTION 3: INDIGENOUS AFRICAN M

Question

QUESTION 3: INDIGENOUS AFRICAN MUSIC (IAM)

Listen to the following tracks and answer the questions that follow.

Play Tracks 10 to 20 TWICE in succession.

Track 10 – TWICE
3.1 Indicate THREE items in COLUMN A that relate to the music in Track 10. Make a cross (X) in THREE appropriate blocks.

| COLUMN A                                       | ANSWER |
|------------------------------------------------|--------|
| Polyrhythm                                     |        |
| Djembe and mbira ensemble                      |        |
| Melodic material over marimba accompaniment     |        |
| Improvisation on marimba                       |        |
| Multiple whistles creating layering            |        |
| Call and response                              |        |
| Mbaganga                                       |        |
| Izihlabo                                       |        |

Track 11 – TWICE
3.2 Indicate THREE items in COLUMN A that relate to the music in Track 11. Make a cross (X) in THREE appropriate blocks.

| COLUMN A                                       | ANSWER |
|------------------------------------------------|--------|
| Quadruple time                                 |        |
| Triple time                                    |        |
| Bass guitar ostinato                           |        |
| Skiffle rhythm                                 |        |
| Chordophones and aerophones                    |        |
| Chordophones and membranophones                 |        |
| Syncopation                                    |        |

3.3 Describe the accompaniment and the melody in this extract.

Accompaniment:

Melody:

Play Tracks 13, 14 and 15 TWICE in succession.

3.4 With which ONE of the following indigenous styles in COLUMN A do you associate EACH track? Make a cross (X) in the appropriate block for each track.

| COLUMN A                                       | Track 13 | Track 14 | Track 15 |
|------------------------------------------------|----------|----------|----------|
| Malombo                                        |          |          |          |
| Kwela                                          |          |          |          |
| Isicathamiya                                   |          |          |          |
| Mbaganga                                       |          |          |          |

3.6
3.6.1 Name the instrument playing the melody in this extract.

Answer:

3.6.2 Briefly describe the accompaniment provided by the double bass, drum kit and guitar/banjo.

Double bass:

Drum kit:

Guitar/banjo:

Track 18 – TWICE
3.7.1 Identify the band in this extract.

3.7.2 Choose the correct time signature for this extract.

| Compound duple | Simple triple | Simple quadruple | Compound quadruple |
|----------------|---------------|------------------|------------------|

3.7.3 Give a brief description of the mood created by the music and lyrics.

3.8 Give THREE reasons for this extract being a good example of mbaganga.

Refer to instrumentation, harmony and melody.

Track 20 – TWICE
3.9.1 Identify the indigenous style in this extract.

3.9.2 With which THREE of the following statements in COLUMN A do you associate this extract? Make a cross (X) in THREE appropriate blocks.

| COLUMN A                                       | ANSWER |
|------------------------------------------------|--------|
| Xhosa melody                                   |        |
| Guitar introduction                            |        |
| Kwela influences                               |        |
| Inkunzi enyamena                              |        |
| Concertina                                     |        |
| Male leader and female backing vocals         |        |
| Guitar comping                                  |        |
| Compound quadruple time                        |        |
| Idiophones                                     |        |

3.9.3 Give the term for the introduction.

(28 + 2)

QUESTION 3: INDIGENOUS AFRICAN MUSIC (IAM) Listen to the following tracks and answer the questions that follow - NSC Music - Question 3 - 2023 - Paper 2

Worked Solution & Example Answer:QUESTION 3: INDIGENOUS AFRICAN MUSIC (IAM) Listen to the following tracks and answer the questions that follow - NSC Music - Question 3 - 2023 - Paper 2

3.1 Indicate THREE items in COLUMN A that relate to the music in Track 10.

3.2 Indicate THREE items in COLUMN A that relate to the music in Track 11.

3.3 Describe the accompaniment and the melody in this extract.

Accompaniment:

Melody:

3.4 With which ONE of the following indigenous styles in COLUMN A do you associate EACH track?

3.6.1 Name the instrument playing the melody in this extract.

3.6.2 Briefly describe the accompaniment provided by the double bass, drum kit and guitar/banjo.

Double Bass:

Drum Kit:

Guitar/Banjo:

3.7.1 Identify the band in this extract.

3.7.2 Choose the correct time signature for this extract.

3.7.3 Give a brief description of the mood created by the music and lyrics.

3.8 Give THREE reasons for this extract being a good example of mbaganga.

Reasons for mbaganga:

3.9.1 Identify the indigenous style in this extract.

3.9.2 With which THREE of the following statements in COLUMN A do you associate this extract?

3.9.3 Give the term for the introduction.

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