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Nkhensani Rihlampfu is a young South African artist who creates imposing figurative sculptures using hand-woven calico ropes - NSC Visual Arts - Question 5 - 2022 - Paper 1
Question 5
Nkhensani Rihlampfu is a young South African artist who creates imposing figurative sculptures using hand-woven calico ropes. These faceless figures represent the ma... show full transcript
Worked Solution & Example Answer:Nkhensani Rihlampfu is a young South African artist who creates imposing figurative sculptures using hand-woven calico ropes - NSC Visual Arts - Question 5 - 2022 - Paper 1
Step 1
Why do you think Rihlampfu creates faceless figures?
Answer
Rihlampfu creates faceless figures to represent the anonymity of low-paid laborers. The facelessness signifies that these workers, who contribute to the foundation of society, often go unnoticed and unrecognized. By removing facial features, Rihlampfu emphasizes their collective identity rather than individual characteristics, reflecting the harsh reality of their existence.
Step 2
How do all the materials used by Rihlampfu create texture and rhythm?
Answer
The materials used, such as the hand-woven calico ropes, provide a tactile quality that enhances the sculptures’ physical presence. The repetition of the ropes creates a rhythmic pattern, simulating the laborious process of work. The varying textures also contribute to the visual appeal, inviting viewers to engage with the piece more intimately.
Step 3
How do the visual elements presented in FIGURE 5a contribute to the meaning of the title?
Answer
In FIGURE 5a, the loose strips and the collective weight of the materials symbolize the burden of labor. The title, 'Remains of Democracy,' suggests a societal critique on how economic hardships diminish individual identities. The visual elements—such as the diagonal posture of the sculpture—imply movement towards a communal struggle, adding depth to the conceptual meaning.
Step 4
How does Grobler's use of discarded and found objects in FIGURE 5b add to the dreamlike and surreal quality of her work?
Answer
Grobler’s use of discarded objects in FIGURE 5b creates a surreal, dreamlike quality by juxtaposing unrelated elements to evoke new meanings. The found objects transform into creatures that blend human and animal traits, stirring the imagination and inviting viewers to interpret the underlying commentary about consumerism and existence.
Step 5
Identify the objects used in FIGURE 5b that show power. How do these refer to the power of consumption?
Answer
In FIGURE 5b, the electric bulb represents enlightenment and control, while the halo suggests spiritual authority. The nozzle of a fuel pump alludes to consumer dependency on resources. These objects symbolize how consumption not only drives economies but also influences personal identity and societal power dynamics.
Step 6
In her title she references Christianity (Personal Jesus). Do you think this artwork has a religious/spiritual quality? Substantiate your answer.
Answer
Yes, Grobler's artwork conveys a spiritual quality through its integration of religious symbolism. The reference to 'Personal Jesus' suggests a quest for personal connection and guidance. The objects' arrangement reflects the search for meaning amidst materialism, prompting viewers to consider the role of faith in their lives in relation to consumer culture.
Step 7
Write an essay on the work of TWO contemporary South African artists (ONE artwork per artist) that use new/alternative media to create a powerful message.
Answer
Artist 1: Nkhensani Rihlampfu Artistic Work: 'Remains of Democracy'. This piece explores themes of labor and identity through the use of calico ropes that form faceless figures, representing the struggle of low-paid workers in society.
Artist 2: Isabelle Grobler Artistic Work: 'The Cannibals’ Concupiscence: Personal Jesus'. Grobler's assemblage of discarded objects emphasizes consumer dependence and human experience, presenting a surreal commentary on societal norms through found materials. Both artists utilize innovative media to raise awareness and provoke thought.