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Discuss FIGURES 4a and 4b, and write a paragraph in which you refer to some of the following: - The use of line and texture in the sculptures - How the artists convey movement in the sculptures - The expression on the faces of the figures in both artworks - How the artists have used distortion in both sculptures Discuss the work of any TWO artists (ONE work per artist) who create art, craft, and/or spiritual works from rural South Africa - NSC Visual Arts - Question 4 - 2021 - Paper 1
Question 4
Discuss FIGURES 4a and 4b, and write a paragraph in which you refer to some of the following: - The use of line and texture in the sculptures - How the artists conv... show full transcript
Worked Solution & Example Answer:Discuss FIGURES 4a and 4b, and write a paragraph in which you refer to some of the following: - The use of line and texture in the sculptures - How the artists convey movement in the sculptures - The expression on the faces of the figures in both artworks - How the artists have used distortion in both sculptures Discuss the work of any TWO artists (ONE work per artist) who create art, craft, and/or spiritual works from rural South Africa - NSC Visual Arts - Question 4 - 2021 - Paper 1
Step 1
The use of line and texture in the sculptures
Answer
In FIGURE 4a, the artist employs repetitive, rhythmic lines that range from descriptive to deep, thin, and bold incised lines. These lines create and identify various anatomical features within the wood. Vertical and diagonal lines are prominent, resulting from incisions made in the wood, while the natural grain enhances the background. Additionally, the texture of the tree bark is keenly felt, adding depth through the rough appearance crafted by the artist using wood carving tools.
In FIGURE 4b, horizontal lines in the clothing illustrate calmness, while the curved and diagonal lines convey movement. The texture is softer, created through bronze finishes which complement the smooth surfaces of the sculptures.
Step 2
How the artists convey movement in the sculptures
Answer
FIGURE 4a captures movement by depicting the angel in a walking position, with one leg bent at the knee and one arm raised, presenting a dynamic pose. The sculptor has adjusted the legs to indicate a shift, enhancing the feeling of motion.
Conversely, FIGURE 4b portrays figures in a dance pose, arms outstretched and legs apart. These concave body shapes suggest a response to a force, as though the figures are being propelled by an unseen energy.
Step 3
The expression on the faces of the figures in both artworks
Answer
The expression in FIGURE 4a is illustrated through the angel's wide smile and closed eyes, projecting a sense of peace and serenity. Contrastingly, FIGURE 4b features stylized faces with exaggerated traits that denote a cultural identity; the lack of facial detail may suggest anonymity or a universal representation rather than individual identity.
Step 4
How the artists have used distortion in both sculptures
Answer
In FIGURE 4a, distortion is evident in the face, which is represented with a triangular shape contrary to realistic proportions. The overall design uses similar distortions that challenge conventional human anatomy, contributing to the expressive quality of the piece.
FIGURE 4b exhibits distortion as well, particularly in the forearms, which appear elongated and exaggerated. This manipulation of proportions emphasizes the artistic narrative rather than realistic representation.
Step 5
Discuss the work of any TWO artists
Answer
For this part of the question, we could consider artists such as Noria Mabasa and Joseph Ndudzo, both of whom reflect various cultural influences in their works.
Noria Mabasa is known for her intricate wood carvings, influenced by her Tsonga heritage. She frequently incorporates spiritual symbols which communicate her beliefs, adding layers of meaning to her work. The purpose of her art serves not only aesthetics but also a reconnection to cultural roots.
On the other hand, Joseph Ndudzo creates sculptures that embody the essence of African spirituality, utilizing materials such as clay and wood. His pieces often carry themes of community, providing social commentary and encouraging dialogue surrounding tradition versus modernity. This functional aspect of Ndudzo's artwork leads to an engagement with society, as it invites viewers to reflect on their identities.