Discuss the stories told in FIGURES 4a and 4b by comparing the following: - Format - Focal point - Line and texture - Depth and perspective - Style FIGURE 4a: Lucky Sibiya, Warrior, woodcut, 1977 - NSC Visual Arts - Question 4 - 2021 - Paper 1

In FIGURE 4a, the focal point is the large figure in the foreground, which captures attention due to its size and posturing. Meanwhile, FIGURE 4b has its focal point on the preacher, who is centrally positioned, emphasizing his significant role in the act of baptism.

FIGURE 4a features curvilinear lines that create texture in the landscape and figures, enhancing the emotive quality of the image. The repetitive, rhythmic lines in the preacher's garments in FIGURE 4b provide visual interest, contrasting with the rough textures present in the surrounding environment.

The depth in FIGURE 4a is achieved through figures receding into the background, creating a sense of distance. Overlapping shapes further enhance this effect. Conversely, FIGURE 4b utilizes layering and size variation to emphasize depth, allowing for a more intimate view of the central action.

Sibiya’s style in FIGURE 4a utilizes distortion and exaggerated forms to convey emotion and cultural significance, while Mahlangu’s FIGURE 4b adopts a more realistic approach, capturing the essence of community and spirituality.