Context & Writer's Techniques

Context in 'Hamlet'

Shakespeare's Life

• Born in April 1564 in Stratford-upon-Avon, England.
• Attended a local grammar school, where he studied Latin and classical texts.
• Moved to London in the late 1580s to pursue a career in theatre.
• Became a prominent playwright and actor by 1592.
• Wrote for the acting troupe Lord Chamberlain's Men, later known as the King's Men.
• Married Anne Hathaway in 1582; had three children: Susanna, Hamnet, and Judith.
• Hamnet, his only son, died at age 11.
• Died in April 1616 at age 52.

History of the Play

• Written between 1599 and 1601.

• Likely first performed in 1600 or 1601 by the Lord Chamberlain's Men.

• Well-received by both contemporary audiences and critics.

• Its complex characters and themes of revenge, madness, and mortality resonated deeply.

• The exploration of existential themes made it popular among educated audiences.

• Performed at the Globe Theatre and other venues, including the court of King James.

• Richard Burbage, a leading actor of the time, originally played Hamlet.

• Adapted and performed in various forms over the centuries, with key adaptations including Laurence Olivier's 1948 film and Kenneth Branagh's 1996 film. Textual History:

• First Folio: Published in the First Folio in 1623, seven years after Shakespeare's death.

• Quartos: Earlier versions appeared in quarto editions, with some textual variations.

Literary Contexts

The Genre of the Play:

• Tragedy: "Hamlet" is a tragedy, characterized by its sombre tone, complex characters, and a fatal or disastrous conclusion.

• Revenge Tragedy: Incorporates elements of the revenge tragedy genre, such as the ghost seeking vengeance and the hero's internal conflict. Historical and Political Context:

• Elizabethan Era: Written during the late Elizabethan era, a time of political stability and cultural flourishing.

• Succession Anxiety: Reflects contemporary anxieties about succession and the stability of the realm, as Elizabeth I had no direct heir.

• Religious Conflict: The Protestant Reformation and Catholic Counter-Reformation created religious tensions, influencing themes of sin and redemption in the play. Philosophical Context:

• Renaissance Humanism: Influenced by Renaissance humanism, emphasizing individualism and the study of classical texts.

• Existential Questions: Explores deep existential questions about life, death, and the meaning of existence, particularly through Hamlet's soliloquies. Cultural and Social Context:

• Social Hierarchy: Reflects the rigid social hierarchy and gender roles of Elizabethan society.

• Family and Duty: Themes of familial duty and loyalty are central, highlighting the expectations placed on individuals within the family unit.

• Madness and Melancholy: Examines contemporary attitudes towards mental illness and melancholy, with Hamlet's feigned and real madness being key plot points. Literary Influences:

• Primary Source: Derived from Saxo Grammaticus's "Gesta Danorum" and François de Belleforest's "Histoires Tragiques."

• Classical Influences: Shakespeare drew on classical works, such as those by Seneca, for elements of tragedy and revenge.

Writer's Techniques in 'Hamlet'

Language and Diction

Verse and Prose:

• Shakespeare uses both verse and prose to differentiate between characters and their states of mind.

• Blank Verse: Most of Hamlet's soliloquies and noble dialogues are written in blank verse (unrhymed iambic pentameter), giving them a rhythmic and elevated quality.

• Prose: Used for more mundane or comic scenes and often for characters of lower status or those pretending madness, such as Hamlet's interactions with Polonius or the gravediggers. Soliloquies:

• Purpose: Soliloquies are used to provide insight into Hamlet's inner thoughts and struggles, revealing his philosophical and existential dilemmas.

• Famous Examples:

• "To be, or not to be" explores themes of life, death, and the human condition.

• "O, what a rogue and peasant slave am I!" reflects Hamlet's frustration with his inaction and his contemplation of revenge. Wordplay and Puns:

• Hamlet frequently uses puns and wordplay, especially in conversations with Polonius, Rosencrantz, and Guildenstern, to mock or confuse them.

• Example: The exchange between Hamlet and Polonius about the shape of clouds highlights Hamlet's use of irony and his disdain for Polonius.

Imagery and Symbolism:

Disease and Corruption:

• Imagery related to disease, decay, and corruption permeates the play, symbolizing the moral and political rot in Denmark.

• Examples:

• Marcellus's line "Something is rotten in the state of Denmark" sets the tone for the pervasive sense of corruption.

• Hamlet's descriptions of the world as an "unweeded garden" further emphasize the theme of decay. Theatrical Imagery:

• References to acting, plays, and performances highlight themes of appearance versus reality.

• Example: Hamlet's use of the play-within-a-play ("The Mousetrap") to "catch the conscience of the King" underscores the idea of life as a performance and the difficulty of discerning truth. Nature and the Supernatural:

• The imagery of nature often contrasts with supernatural elements, reflecting the natural order versus the unnatural deeds committed.

• Examples: The ghost of King Hamlet introduces supernatural elements that challenge the natural order, while Hamlet's reflections on mortality often use natural imagery (e.g., Yorick's skull).

Structure and Plot Devices

Play-within-a-Play:

• Purpose: "The Mousetrap" serves as a meta-theatrical device to mirror and expose the main plot's themes and to confirm Claudius's guilt.

• Effect: This device heightens the play's exploration of appearance versus reality and the power of theatre to reveal truth. Foils:

• Characters such as Laertes and Fortinbras serve as foils to Hamlet, highlighting different responses to similar situations (e.g., avenging a father's death).

• Laertes: His decisive action contrasts with Hamlet's indecision, emphasizing themes of revenge and justice.

• Fortinbras: His military ambition and willingness to act underscore Hamlet's introspection and hesitation.

Dramatic Techniques

Irony:

• Verbal Irony: Hamlet's dialogue is often laced with irony, particularly in his interactions with other characters.

• Dramatic Irony: The audience is aware of Hamlet's knowledge of Claudius's guilt and his feigned madness, creating tension and anticipation. Suspense and Tension:

• Shakespeare builds suspense through Hamlet's procrastination and the looming threat of conflict.

• Example: The progression of Hamlet's plan to expose Claudius, combined with the unfolding political intrigue, maintains dramatic tension. Catharsis and Tragic Flaw:

• Catharsis: The play's tragic resolution provides a cathartic experience for the audience as Hamlet's and other characters' fates are sealed.

• Tragic Flaw: Hamlet's indecisiveness and his obsession with contemplating action versus inaction are central to his character's tragic flaw.

Sound and Rhythm

Alliteration and Assonance:

• Shakespeare employs alliteration and assonance to enhance the musicality and emotional impact of the dialogue.

• Example: In "To be, or not to be," the repetition of "s" sounds in "slings and arrows" adds a rhythmic quality that underscores Hamlet's contemplative tone. Caesura and Enjambment:

• Caesura: Pauses within lines (caesura) often reflect Hamlet's hesitations and internal conflicts.

• Enjambment: The continuation of a sentence without a pause beyond the end of a line (enjambment) can reflect the flow of Hamlet's thoughts and his tendency to overthink.