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Last Updated Sep 26, 2025
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The poem begins with a positive declaration, linking rain in films to universal, emotionally impactful rain.
The poem starts with a list of scenes involving rain, setting an atmosphere of anticipation. Paterson uses vivid imagery, such as "rain braiding a windowpane" and "darkening a hung-out dress," to create visual impact. The rain symbolises both atmosphere and potential sin. The mention of "one big thunderous downpour" hints at biblical allusions, emphasising the time "before the act" when humankind was innocent.
These stanzas describe moments in the film that signal loss and unhappiness, like the woman sitting alone and the silent telephone. The "ruined" dress and the girl walking off the overpass evoke a sense of soiled purity. The idea of a "fatal watercourse" suggests both fate and mortality, emphasising the contrast between the film's illusion of innocence and the reality of human imperfection.
These stanzas introduce reality, where actors' accents betray their origins, and the "boom" on a film set recalls the earlier "thunderous downpour." The idea of people following preplanned scripts or roles suggests that life is predetermined. The mention of "a starlit gutter" alludes to both beginnings and endings, emphasising the fallen nature of humanity. The "neon drugstore sign" symbolises the ordinary versus extraordinary theme present in the poem.
Written in italics, this stanza commands the reader to "forget the ink, the milk, the blood." These substances represent creation, nurture, and inheritance. The idea of cleansing through a flood, echoing the biblical flood, conveys a sense of renewal. However, the final line, "none of this, none of this matters," presents a nihilistic attitude, suggesting that despite the potential for renewal, human flaws and failures ultimately don't matter.
Metaphor:
Biblical references:
How does the poem's exploration of film and reality make you reflect on the role of escapism in your own life and its impact on your perception of the world?
What emotions does the poem's contrast between cinematic idealism and the harshness of reality evoke in you, and how do they relate to your own experiences and beliefs?
In what ways does the poem challenge or alter your perspective on the world and the beauty found in everyday moments?
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