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1. Michael and Peter are rescued at the end of the short story - Junior Cycle English - Question QUESTION ONE - 2016
Question QUESTION ONE
1. Michael and Peter are rescued at the end of the short story. Based on what you have read in this extract, do you think that the boys' friendship will survive this... show full transcript
Worked Solution & Example Answer:1. Michael and Peter are rescued at the end of the short story - Junior Cycle English - Question QUESTION ONE - 2016
Step 1
Michael and Peter are rescued at the end of the short story. Based on what you have read in this extract, do you think that the boys' friendship will survive this incident? Support your answer with reference to the extract.
Answer
In analyzing the friendship between Michael and Peter, it is evident that their bond faces a severe test during the incident. At the beginning of the extract, Michael expresses concern and fear, which indicates a deep reliance on Peter. However, as tension unfolds, we see a shift in their dynamic. Peter's assertion of strength by taking charge could be perceived as a moment of bravery, yet it also highlights moments of frustration between them. The dialogue reveals emotions of anger and panic.
There are signs that Michael might feel embarrassed or threatened by Peter's actions, which could lead to resentment. Yet, the gravity of their experience also offers opportunities for growth and deepening their friendship. If they can communicate effectively after the rescue, they might emerge with a strengthened bond. Ultimately, whether their friendship survives depends on their willingness to navigate the emotional aftermath of the ordeal together.
Step 2
Do you agree that Liam O’Flaherty’s style of writing in this extract is simple yet very effective? Explain your answer based on what you have read.
Answer
Liam O’Flaherty’s writing style in this extract indeed exemplifies simplicity while being profoundly effective. The premise surrounding a childhood adventure is easily accessible, inviting readers into the minds and emotions of the characters. The use of direct dialogue captures the tension without overwhelming the reader with unnecessary details.
Such clarity allows readers to engage with the characters' dilemmas intimately. Furthermore, the descriptive aspects, albeit limited, create a vivid sense of place and urgency. The effectiveness also lies in how O’Flaherty’s characterization pulls readers into the boys' predicament emotionally, making us feel their fear and desperation. This simplicity is not a lack of depth; rather, it serves to focus on the elements that matter most to the narrative.