The Handmaid’s Tale – Context (OCR A-Level English Literature): Revision Notes
The Handmaid's Tale – Context
Understanding the historical, political and social context of The Handmaid's Tale is essential for appreciating Atwood's dystopian vision. This novel, published in 1985, reflects the anxieties and tensions of the 1980s whilst drawing on deeper historical patterns of oppression.
Margaret Atwood: life and influences
Margaret Atwood was born in 1939 in Ottawa, Canada. Her childhood shaped many of the themes that would later appear in her writing. Her father worked as an entomologist (a scientist who studies insects), which meant the family spent considerable time in rural Canada. This early exposure to nature fostered Atwood's lifelong commitment to environmentalism, a concern that surfaces throughout her work.
Atwood's education played a crucial role in developing the ideas behind The Handmaid's Tale. She was an avid reader from a young age, though she did not attend formal school until age twelve. Later, she completed a Master's degree at Harvard University in Massachusetts. Whilst studying there, she focused on Puritanism, the strict religious movement that influenced early American society. This academic work directly shaped the religious and political atmosphere of Gilead in the novel. Harvard's location also provided the geographical inspiration for the setting of The Handmaid's Tale.
As an adult, Atwood established herself as a respected academic, teaching at universities across the United States. Her body of work spans multiple genres including poetry, prose, essays and literary criticism, though she is best known for her fiction. Throughout her career, she has been a vocal advocate for women's rights, free speech, LGBTQ+ rights, and climate change activism. Her writing consistently engages with current affairs and social justice issues.
Atwood's approach to power and oppression
A central concern in Atwood's work is the dynamics of power. She is particularly interested in how women experience oppression under patriarchy (a system where men hold power and women are largely excluded from it). Rather than focusing solely on dramatic acts of resistance, Atwood explores how power operates through everyday, mundane interactions. This approach makes her work feel immediate and recognisable.
Atwood's Rule for Dystopian Fiction
Although much of Atwood's fiction is dystopian and surreal, she maintains a strict rule: every disturbing element in her stories must be based on real events that have occurred somewhere in the world, often in the United States or other Western nations. This commitment to realistic foundations makes her dystopian visions particularly unsettling because they feel frighteningly possible.
In The Handmaid's Tale, we see this principle at work in how Gilead rises to power. The regime's growing strength goes unnoticed because people are complacent. They assume that political upheaval happens elsewhere, to other people. As Atwood wrote in her 2017 introduction to the novel, established social and political orders could "vanish overnight". Her work serves as a warning against complacency and a reminder that civil stability should never be taken for granted.
Writing The Handmaid's Tale in 1984
Atwood wrote The Handmaid's Tale in 1984 whilst living in West Berlin, Germany. This timing and location are crucial to understanding the novel's atmosphere of paranoia and surveillance.
The Cold War context
The Cold War was a period of intense political tension and psychological warfare between the Soviet Union and the United States (along with NATO allies). It lasted from 1947 to 1991, ending with the collapse of the Soviet Union. The conflict was termed "cold" because it did not involve large-scale direct military combat between the superpowers. Instead, the warfare was predominantly psychological, involving propaganda campaigns, economic embargos, support for proxy governments, and demonstrations of technological superiority such as the Space Race.
By 1984, the Cold War had been ongoing for nearly all of Atwood's life. The 1980s represented a particularly intense period of tension. Born in 1939, Atwood grew up during World War Two and witnessed the United States drop nuclear bombs on Hiroshima and Nagasaki. This established a terrifying precedent for nuclear warfare. Throughout the mid-twentieth century, both Eastern and Western powers raced to develop increasingly powerful nuclear weapons to maintain their position on the global political stage.
Mutually Assured Destruction (MAD)
The concept of mutually assured destruction (MAD) dominated Cold War thinking. This refers to the understanding that initiating nuclear war would inevitably lead to the complete annihilation of all countries involved due to the devastating power of nuclear weapons. Everyone would lose.
Berlin and the constant threat
West Berlin, where Atwood wrote the novel, sat at the heart of Cold War tensions. The Berlin Wall divided the city into the US-controlled West and the Soviet-controlled East. Atwood found herself physically encircled by the Berlin Wall and metaphorically surrounded by the threat of Soviet attack. In her 2017 introduction, she reflected that "Change could be as fast as lightning. 'It can't happen here' could not be depended on: Anything could happen anywhere, given the circumstances."
This atmosphere of surveillance, division and potential catastrophe permeates The Handmaid's Tale. The constant threat of being sent to the Colonies (contaminated by radioactive poisoning) echoes the nuclear anxieties of the era.
Nuclear science fiction
The threat of nuclear war inspired a wave of science fiction exploring post-apocalyptic scenarios. Examples include The Chrysalids by John Wyndham (1955), the Mad Max film series (1979), and the Japanese manga and film Nausicaä of the Valley of the Wind (1982). Whilst The Handmaid's Tale does not directly depict nuclear apocalypse, radioactive contamination lurks in the background, particularly through references to the Colonies.
Much speculative fiction inspired by nuclear war focuses on the struggle for resources in a devastated world. The Handmaid's Tale follows this pattern, with the declining birth rate creating a crisis that leads to the sexual enslavement of fertile women.
Environmentalism and ecological crisis
Atwood's environmental consciousness stems from her childhood experiences in rural Canada. Her father's work as an entomologist meant the family spent extended periods in natural settings, fostering her appreciation for wildlife and ecosystems. She remains a committed environmentalist and frequently discusses how climate change will worsen existing social inequalities. The relationship between society and the environment appears throughout her work.
Silent Spring and Environmental Awakening
During the 1960s and 1970s, public awareness of environmental issues increased dramatically across the Western world. A pivotal moment came in 1962 when American biologist and conservationist Rachel Carson published Silent Spring. This groundbreaking book exposed the harmful effects of pesticides and chemicals on the environment. Carson's work led to government action, including the 1972 ban on DDT, a pesticide that had pushed some American bird species towards extinction.
The effects of pesticides proved detrimental not only to natural ecosystems but to human health as well. This growing environmental consciousness appears in The Handmaid's Tale through small but significant details. Offred mentions that grocery stores like Loaves and Fishes (a biblical reference) rarely open because the seas are so polluted that fish populations have collapsed. Such details ground Gilead's dystopia in recognisable environmental concerns.
Feminism and women's rights
Feminism encompasses various movements and ideologies concerned with women's rights and advocating for gender equality. The Western feminist movement is generally understood through four distinct waves, each with its own focus and historical context.
The four waves of feminism
First wave (mid-19th century to World War Two)
The first wave centred on the suffrage movement. Suffragettes across the Western world campaigned for women's right to vote. This fundamental democratic right was denied to women throughout most of the nineteenth and early twentieth centuries.
Second wave (mid-20th century)
The second wave broadened its focus to women's rights in the workplace, in marriage, and in society generally. Until surprisingly late in the twentieth century, marital rape was legal in many Western countries. Key texts that captured the frustrations of women during this period include The Second Sex (1949) by French writer Simone de Beauvoir and The Feminine Mystique (1963) by American writer Betty Friedan. These works articulated feelings of frustration and the lack of gender equality experienced by growing numbers of women.
Third wave (1990s onwards)
Third wave feminism emerged from zine culture and the riot grrrl movement in the Pacific Northwest of the United States, growing out of punk and DIY scenes. This wave saw the work of black feminists, including bell hooks and Audre Lorde, gaining wider mainstream recognition.
Intersectionality and Intersectional Feminism
A crucial concept that gained prominence during this period was intersectionality. This refers to the idea that different forms of oppression and privilege overlap and interact in complex ways within individuals and within society. Intersectional feminism recognised that whilst all women face oppression, they experience it differently depending on other aspects of their identity. For example, black women face different challenges than white women, and black trans women experience different forms of oppression than cisgender black women.
Fourth wave (2012 onwards)
Fourth wave feminism is characterised by its use of social media to organise and spread awareness. It focuses on combating sexual harassment and violence, addressing post-colonialism, and highlighting the discrepancies between women's rights in Western countries and elsewhere. Key campaigns include the #MeToo movement, the 2017 and 2018 Women's Marches, and the intersection with #BlackLivesMatter protests that sparked important conversations about inequalities between white women and women of colour.
Second wave feminism in The Handmaid's Tale
Atwood wrote The Handmaid's Tale in the early 1980s, during the height of second wave feminism's influence. The novel reflects this through its characters and their relationships to feminist activism.
Example: Feminist Characters in the Novel
Offred's mother represents the second wave feminist activist. Through Offred's memories, we understand that her mother was likely involved in the feminist protests of the 1960s and 1970s. In Chapter 7, Offred recalls walking in the park with her mother and encountering people burning pornographic books. These are not religious fundamentalists but feminists protesting the misogynistic nature of much pornography. Offred's mother supports the burning, and Offred herself is encouraged to throw a magazine into the fire.
Moira, Offred's best friend from university, is also a vocal feminist. Whilst at college, Moira hosts an "underwhore" party to sell lingerie, deliberately reclaiming the word 'whore'. She uses humour to undermine sexism, a strategy she employs throughout the novel. Both of the most important women in Offred's life are committed feminists.
Is Offred a feminist?
Compared to her mother and Moira, Offred might not appear to be much of a feminist. She does not openly rebel against the regime, escape from the Red Centre like Moira, or accept Moira's invitation to work as a sex worker at Jezebel's (which Moira argues would grant more autonomy). Instead, Offred's focus remains on her internal mental struggle and physical survival.
Quiet Resistance
However, Offred rebels in subtler ways. She steals butter to use as hand cream. She begins a secret affair with Nick. She maintains her relationship with Ofglen, a member of the underground resistance movement Mayday. As the novel progresses, Offred becomes increasingly subversive. Her rebellion might be quieter than her mother's or Moira's, but it is no less significant. Mental fortitude and survival become their own form of resistance.
Politics and religion in the United States
When Atwood wrote The Handmaid's Tale, the United States was in the second year of Ronald Reagan's presidency. Understanding the political and religious climate of the Reagan era is essential for grasping what inspired Gilead's theocratic regime.
The Reagan administration (1981-1989)
Ronald Reagan was a Republican President whose time in office was characterised by several key policies. He implemented tax cuts whilst increasing defence spending due to Cold War pressures. At the same time, he reduced spending on social and public services. His administration was staunchly anti-Communist. A former Hollywood actor, Reagan was a charismatic speaker and, at the time, enjoyed significant popularity among Christian Americans.
Reagan's presidency emphasised conservatism and "family values", a phrase that alluded to the traditional, heterosexual, nuclear family. His rhetoric appealed to white working-class Americans who harboured racist resentment towards the advances black people had achieved during the civil rights movement. He also appealed strongly to religious organisations like the Moral Majority.
The Moral Majority and Christian fundamentalism
The Moral Majority was an organisation founded in 1979 by members of the Christian right and the Republican Party. They formed in response to what they perceived as the decay of moral values in American society. The 1960s and 1970s had been decades of increased sexual and religious freedom, marked by the civil rights movement, the movement for gay rights, and the rise of second wave feminism. Traditional ideas about women's roles as housewives, sex before marriage, and women's sexual autonomy were being questioned and challenged. The Moral Majority represented a backlash against these social advances.
The organisation existed to combat what they saw as the secularisation of American society. They believed America was fundamentally a religious (specifically Christian) nation. Their political agenda opposed abortion, gay rights, pornography, and the exclusion of Christian prayer from public schools.
Direct Inspiration for Gilead
In The Handmaid's Tale, Atwood directly speculates on what might happen if an organisation like the Moral Majority achieved absolute power. The inspiration for Gilead comes directly from the kind of social order desired by fundamentalist Christians. The regime's use of biblical scripture to justify the oppression of women, its violent homophobia (referred to as dealing with "gender traitors"), and its obsession with controlling women's sexuality all reflect the values promoted by the Christian right.
The HIV/AIDS crisis
The first cases of HIV/AIDS in the United States were reported in 1980. By 1984, nearly 4,000 people had died from the virus, and a homophobic moral panic was spreading through mainstream media. AIDS was the first major pandemic since the Spanish Flu of 1918-1920. At the time Atwood was writing, an AIDS diagnosis meant death within approximately one year. There was no effective treatment and enormous fear surrounding the disease.
In the historical notes that conclude The Handmaid's Tale, Professor Pieixoto reveals that Gilead's reduced fertility rate resulted from a sexually transmitted disease that caused infertility. Public fears about AIDS fed directly into Christian right propaganda that opposed sex outside marriage and promoted hatred against LGBTQ+ people. This propaganda provided inspiration for the political backdrop of Gilead, where sexual freedom is completely eradicated and reproduction is violently controlled by the state.
Remember!
Key Points to Remember:
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Atwood's rule: Every disturbing element in her fiction is based on real events that have happened somewhere in the world. This makes The Handmaid's Tale chillingly believable.
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Historical context matters: The novel was written in 1984 in West Berlin, surrounded by the Berlin Wall during the Cold War. This atmosphere of surveillance and potential catastrophe deeply influenced the text.
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Second wave feminism: Atwood was writing during the height of second wave feminism. The novel explores different responses to oppression through Offred, her mother, and Moira.
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The Moral Majority: This Christian right-wing organisation, founded in 1979, directly inspired Gilead's theocratic regime. Understanding their actual political agenda helps explain the novel's religious extremism.
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Multiple crises converge: Environmental degradation, the AIDS epidemic, nuclear threat, and the backlash against feminism all feed into the novel's dystopian vision. Atwood shows how multiple crises can be exploited to justify authoritarian control.