The Hours — Film Techniques and Themes (HSC SSCE English Advanced): Flashcards

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The Hours — Film Techniques and Themes
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Visual metalepsis

Boundaries between narrative levels dissolve

3 timelines in The Hours

Woolf 1923, Brown 1949, Vaughan 2001

Crosscutting in The Hours

Editing moving rhythmically between 3 timelines

Colour palette: Woolf's 1923 Richmond

Desaturated greens (oppression, illness)

Colour palette: Laura's 1949 LA

Postwar pastels (artificial cheerfulness, conformity)

Golden hour lighting purpose

Shows epiphanies, clarity, transcendence

Match cuts

Smooth transitions between similar images

Chiaroscuro

Strong contrasts between light and shadow

Philip Glass score characteristic

Repetitive, minimalist piano phrases

Diegetic sounds

Sounds that exist within the film's world

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